Ryman Auditorium
Sat. 12/8/12
Show: 9:30 PM
$24.00 - $55.00
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Marty Stuart
CountryArtist Bio:
One of country's most historically minded new traditionalists, Marty Stuart was also one of the most eclectic, moving between honky tonk, rockabilly, country-rock, traditional country, and bluegrass. He was also one of the more flamboyant showmen, supporting his party-hearty image with a wardrobe of rhinestone-laden Nudie suits. Stuart was born in Philadelphia, MS, in 1958 and grew up obsessed with country music. He learned guitar and mandolin as a child and by age 12 was performing with the bluegrass group the Sullivans. He soon met Lester Flatt bandmember Roland White, which led to an invitation to play a Labor Day gig in Delaware with the band in 1972. Flatt invited Stuart to join the band permanently and took responsibility for overseeing the teenager's continued education. Stuart stayed with Flatt up until the legendary bluegrass master broke up his band in 1978 for health reasons; he passed away the following year. Stuart moved on, playing with fiddler Vassar Clements and guitarist Doc Watson while doing session work, and was invited to join Johnny Cash's backing band in 1980. In 1978 Stuart had released his first LP, With a Little Help from My Friends (re-released in 1992 as The Slim Richey Sessions), but in 1982 he stepped out to record a more high-profile solo album, Busy Bee Cafe, an informal jam session for Sugar Hill with guest spots by Cash, Watson, and Earl Scruggs, among others. The following year, he married Cash's daughter Cindy. He left Cash's band in 1985 to pursue a solo career. He signed with Columbia and released a self-titled label debut album in 1986. Despite a Top 20 country hit in "Arlene," the record didn't sell very well, and Columbia refused to issue his completed follow-up, Let There Be Country. Stuart's marriage also broke up in 1988, and he returned home to Mississippi to gather his wits. Jerry Sullivan invited him to rejoin the Sullivans as mandolinist, which recharged Stuart's confidence for a return to Nashville. Stuart landed a deal with MCA in 1989 and released his label debut, Hillbilly Rock, later that year. This time he was more successful, landing a Top Ten hit with the title track and earning positive reviews from critics, who compared his sensibility to that of Dwight Yoakam. Released in 1991, Tempted was successful critically and commercially as well and spawned three Top Ten hits in the title cut, "Little Things," and "Burn Me Down." In the wake of Stuart's breakthrough, Columbia finally released Let There Be Country in 1992. Stuart also completed his official follow-up, This One's Gonna Hurt You, which featured a Top Ten hit in the title duet with Travis Tritt and became his first gold album. Though he'd earned a fervent following, Stuart found these successes hard to duplicate -- 1994's Love and Luck saw his sales slipping, and perhaps in response, MCA issued the hits and rarities compilation The Marty Party Hit Pack. That in turn led to a series of Marty Party concert specials on The Nashville Network. However, 1996's Honky Tonkin's What I Do Best failed to win the wide critical acclaim of its predecessors. Stuart was already moving on to other concerns as well. He'd acquired an extensive collection of country memorabilia by that point and in 1996 won his first term as president of the Country Music Foundation (which oversees the Country Music Hall of Fame); he would serve in that capacity through 2002. He also remarried in 1997, to fellow country singer Connie Smith (who'd first made an impression on him during his teen years). When he returned to recording, it was in 1999 with The Pilgrim, a concept album based in country tradition, yet with a distinct progressive inclination. Despite strong reviews, it didn't sell well, and Stuart later parted ways with MCA. He went on to sign with Sony's Nashville division and released his label debut, simply titled Country Music, in the summer of 2003, followed by Souls' Chapel and Badlands in 2005. A live bluegrass record, Live at the Ryman, appeared early in 2006. Stuart returned to recording in 2010 with a fast-paced traditional honky tonk album called Ghost Train: The Studio B Sessions, recorded at RCA's legendary Nashville facility. ~ Steve Huey, All Music.com
Artist info obtained from public profile, artist website or social media
One of country's most historically minded new traditionalists, Marty Stuart was also one of the most eclectic, moving between honky tonk, rockabilly, country-rock, traditional country, and bluegrass. He was also one of the more flamboyant showmen, supporting his party-hearty image with a wardrobe of rhinestone-laden Nudie suits. Stuart was born in Philadelphia, MS, in 1958 and grew up obsessed with country music. He learned guitar and mandolin as a child and by age 12 was performing with the bluegrass group the Sullivans. He soon met Lester Flatt bandmember Roland White, which led to an invitation to play a Labor Day gig in Delaware with the band in 1972. Flatt invited Stuart to join the band permanently and took responsibility for overseeing the teenager's continued education. Stuart stayed with Flatt up until the legendary bluegrass master broke up his band in 1978 for health reasons; he passed away the following year. Stuart moved on, playing with fiddler Vassar Clements and guitarist Doc Watson while doing session work, and was invited to join Johnny Cash's backing band in 1980. In 1978 Stuart had released his first LP, With a Little Help from My Friends (re-released in 1992 as The Slim Richey Sessions), but in 1982 he stepped out to record a more high-profile solo album, Busy Bee Cafe, an informal jam session for Sugar Hill with guest spots by Cash, Watson, and Earl Scruggs, among others. The following year, he married Cash's daughter Cindy. He left Cash's band in 1985 to pursue a solo career. He signed with Columbia and released a self-titled label debut album in 1986. Despite a Top 20 country hit in "Arlene," the record didn't sell very well, and Columbia refused to issue his completed follow-up, Let There Be Country. Stuart's marriage also broke up in 1988, and he returned home to Mississippi to gather his wits. Jerry Sullivan invited him to rejoin the Sullivans as mandolinist, which recharged Stuart's confidence for a return to Nashville. Stuart landed a deal with MCA in 1989 and released his label debut, Hillbilly Rock, later that year. This time he was more successful, landing a Top Ten hit with the title track and earning positive reviews from critics, who compared his sensibility to that of Dwight Yoakam. Released in 1991, Tempted was successful critically and commercially as well and spawned three Top Ten hits in the title cut, "Little Things," and "Burn Me Down." In the wake of Stuart's breakthrough, Columbia finally released Let There Be Country in 1992. Stuart also completed his official follow-up, This One's Gonna Hurt You, which featured a Top Ten hit in the title duet with Travis Tritt and became his first gold album. Though he'd earned a fervent following, Stuart found these successes hard to duplicate -- 1994's Love and Luck saw his sales slipping, and perhaps in response, MCA issued the hits and rarities compilation The Marty Party Hit Pack. That in turn led to a series of Marty Party concert specials on The Nashville Network. However, 1996's Honky Tonkin's What I Do Best failed to win the wide critical acclaim of its predecessors. Stuart was already moving on to other concerns as well. He'd acquired an extensive collection of country memorabilia by that point and in 1996 won his first term as president of the Country Music Foundation (which oversees the Country Music Hall of Fame); he would serve in that capacity through 2002. He also remarried in 1997, to fellow country singer Connie Smith (who'd first made an impression on him during his teen years). When he returned to recording, it was in 1999 with The Pilgrim, a concept album based in country tradition, yet with a distinct progressive inclination. Despite strong reviews, it didn't sell well, and Stuart later parted ways with MCA. He went on to sign with Sony's Nashville division and released his label debut, simply titled Country Music, in the summer of 2003, followed by Souls' Chapel and Badlands in 2005. A live bluegrass record, Live at the Ryman, appeared early in 2006. Stuart returned to recording in 2010 with a fast-paced traditional honky tonk album called Ghost Train: The Studio B Sessions, recorded at RCA's legendary Nashville facility. ~ Steve Huey, All Music.com
Artist info obtained from public profile, artist website or social media
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Connie Smith
CountryArtist Bio:
It is a Nashville legend that Connie's first record, the aching and unforgettable "Once a Day," written by Bill Anderson and recorded on July 16, 1964 when she was just 23, became one of the most celebrated singles in country music history—the first debut single by a female country singer to go to Number One, a position it held for eight weeks. Forty-seven years later it is still the only first single ever to have done that. When Connie sang "Once A Day" in the all-star B-movie musical Second Fiddle to a Steel Guitar the following year, she was introduced on-screen as "The Cinderella of Country Music." "Once A Day," and her stunning rendition of "How Great Thou Art" remain the two most requested songs by her fans to this day. Connie's memorable string of hits would include "You and Your Sweet Love" "If It Ain't Love" "Where Is My Castle?" "Run Away Little Tears" "Just One Time" and "I Never Once Stopped Loving You." The passion for singing and for the songs, and the singular vocal precision in delivering them that marked those standards-to-be are fully on display in this return to recording. "If you add up all the songs on this album," Ms. Smith says, "it would add up to my personality. It's me talking again, after so many years, with a message no different than I've always had. It's just that I love you, and I want that love to come back." It's bound to.
Artist info obtained from public profile, artist website or social media
It is a Nashville legend that Connie's first record, the aching and unforgettable "Once a Day," written by Bill Anderson and recorded on July 16, 1964 when she was just 23, became one of the most celebrated singles in country music history—the first debut single by a female country singer to go to Number One, a position it held for eight weeks. Forty-seven years later it is still the only first single ever to have done that. When Connie sang "Once A Day" in the all-star B-movie musical Second Fiddle to a Steel Guitar the following year, she was introduced on-screen as "The Cinderella of Country Music." "Once A Day," and her stunning rendition of "How Great Thou Art" remain the two most requested songs by her fans to this day. Connie's memorable string of hits would include "You and Your Sweet Love" "If It Ain't Love" "Where Is My Castle?" "Run Away Little Tears" "Just One Time" and "I Never Once Stopped Loving You." The passion for singing and for the songs, and the singular vocal precision in delivering them that marked those standards-to-be are fully on display in this return to recording. "If you add up all the songs on this album," Ms. Smith says, "it would add up to my personality. It's me talking again, after so many years, with a message no different than I've always had. It's just that I love you, and I want that love to come back." It's bound to.
Artist info obtained from public profile, artist website or social media
Old Crow Medicine Show
Singer-SongwriterArtist Bio:
Old Crow Medicine Show (OCMS) have come full circle playing their own brand of American roots music with a rock and roll attitude. They met in New York in 1998 and hit the road, traveling city to city in a van and busking in the streets. They eventually settled for a year in North Carolina, where they ran into a bit of good fortune while playing in front of a local pharmacy to an impressed Doc Watson; the folk icon promptly scheduled the band to play at his MerleFest.
Soon after, OCMS relocated to Nashville and found themselves gracing the stage of the Grand Ole Opry, touring with Merle Haggard and regularly appearing on NPR’s A Prairie Home Companion. OCMS can attribute much of their success to their relentless touring schedule. Between headlining shows and countless festivals, the band is constantly on the road and thrives off of their fans and live shows. They have made a name for themselves as energetic performers with an unbridled spirit. Combined, their albums have gone on to sell over 500,000 units.
Artist info obtained from public profile, artist website or social media
Old Crow Medicine Show (OCMS) have come full circle playing their own brand of American roots music with a rock and roll attitude. They met in New York in 1998 and hit the road, traveling city to city in a van and busking in the streets. They eventually settled for a year in North Carolina, where they ran into a bit of good fortune while playing in front of a local pharmacy to an impressed Doc Watson; the folk icon promptly scheduled the band to play at his MerleFest.
Soon after, OCMS relocated to Nashville and found themselves gracing the stage of the Grand Ole Opry, touring with Merle Haggard and regularly appearing on NPR’s A Prairie Home Companion. OCMS can attribute much of their success to their relentless touring schedule. Between headlining shows and countless festivals, the band is constantly on the road and thrives off of their fans and live shows. They have made a name for themselves as energetic performers with an unbridled spirit. Combined, their albums have gone on to sell over 500,000 units.
Artist info obtained from public profile, artist website or social media
Brandy Clark
CountryArtist Bio:
Wildfire fighter, blueberry picker, Christmas tree topper and chainsaw maker were just a few of the job hats that Brandy Clark wore growing up in Morton, Washington (Pop. 900). Brandy first picked up the guitar at nine years old and made her singing debut in school musicals. Her passion for music brought her to Nashville, Tennessee’s Belmont University where she studied commercial music and was chosen to perform in the school’s prestigious “Best of the Best Showcase.” Brandy signed her first publishing deal not long after graduation and since then she has had songs recorded by RebaMcEntire, Miranda Lambert, LeAnn Rimes, David Nail, Billy Currington, Kenny Rogers, Rebecca Lynn Howard, Joanna Smith and Amanda Wilkinson
Artist info obtained from public profile, artist website or social media
Wildfire fighter, blueberry picker, Christmas tree topper and chainsaw maker were just a few of the job hats that Brandy Clark wore growing up in Morton, Washington (Pop. 900). Brandy first picked up the guitar at nine years old and made her singing debut in school musicals. Her passion for music brought her to Nashville, Tennessee’s Belmont University where she studied commercial music and was chosen to perform in the school’s prestigious “Best of the Best Showcase.” Brandy signed her first publishing deal not long after graduation and since then she has had songs recorded by RebaMcEntire, Miranda Lambert, LeAnn Rimes, David Nail, Billy Currington, Kenny Rogers, Rebecca Lynn Howard, Joanna Smith and Amanda Wilkinson
Artist info obtained from public profile, artist website or social media
Charley Pride
CountryArtist Bio:
Charley Frank Pride (born March 18, 1938) is an American country music singer, musician/guitarist, recording artist, performer, and business owner. His greatest musical success came in the early-to-mid 1970s when he became the best-selling performer for RCA Records since Elvis Presley.[2] In total, he has garnered 39 #1 hits on the Billboard Hot Country Songs charts. Pride is one of the few African-American country musicians to have had considerable success in the country music industry and the only African-American to have been inducted as a member of the Grand Ole Opry.
Artist info obtained from public profile, artist website or social media
Charley Frank Pride (born March 18, 1938) is an American country music singer, musician/guitarist, recording artist, performer, and business owner. His greatest musical success came in the early-to-mid 1970s when he became the best-selling performer for RCA Records since Elvis Presley.[2] In total, he has garnered 39 #1 hits on the Billboard Hot Country Songs charts. Pride is one of the few African-American country musicians to have had considerable success in the country music industry and the only African-American to have been inducted as a member of the Grand Ole Opry.
Artist info obtained from public profile, artist website or social media
Bill Anderson
CountryArtist Bio:
Bill Anderson has been using that philosophy for almost fifty years to capture the attention of millions of country music fans around the world, en route to becoming a member of the Country Music Hall of Fame and one of the most popular, most enduring entertainers of our time.
He’s known, in fact as “Whispering Bill,” a nickname hung on him years ago as a result of his breathy voice and his warm, soft approach to singing a country song. His credentials, however, shout his prominence: One of the most awarded songwriters in the history of country music, a million-selling recording artist many times over, television game show host, network soap opera star, spokesman for a nationwide restaurant chain, and a consummate onstage performer. His back-up group, The Po’ Folks Band, has long been considered one of the finest instrumental and vocal groups in the business.
Artist info obtained from public profile, artist website or social media
Bill Anderson has been using that philosophy for almost fifty years to capture the attention of millions of country music fans around the world, en route to becoming a member of the Country Music Hall of Fame and one of the most popular, most enduring entertainers of our time.
He’s known, in fact as “Whispering Bill,” a nickname hung on him years ago as a result of his breathy voice and his warm, soft approach to singing a country song. His credentials, however, shout his prominence: One of the most awarded songwriters in the history of country music, a million-selling recording artist many times over, television game show host, network soap opera star, spokesman for a nationwide restaurant chain, and a consummate onstage performer. His back-up group, The Po’ Folks Band, has long been considered one of the finest instrumental and vocal groups in the business.
Artist info obtained from public profile, artist website or social media
The Del McCoury Band
CountryArtist Bio:
The most awarded band in the history of Bluegrass Music.
Artist info obtained from public profile, artist website or social media
The most awarded band in the history of Bluegrass Music.
Artist info obtained from public profile, artist website or social media
Jimmy Dickens
CountryArtist Bio:
Hillbilly singers never will come any hillbilly-er than Little Jimmy Dickens. Indeed, as he put it himself on one early hit record, he’s “a plain old ... cornbread lovin’ country boy,” from the toes of his loudly colored cowboy boots to the top of his head, just 4’11” higher.
The current generation of country fans will recognize Jimmy from his frequent guest spots in the videos of Brad Paisley, but the truth is that Jimmy first gained national exposure nearly half a century ago. None other than Roy Acuff first introduced him to the old Ryman Auditorium stage all the way back in 1948, and Dickens has been wowing Opry audiences pretty much ever since—longer than any other current cast member—with his flamboyant rhinestone-studded outfits, wild novelty hits, and country humor.
Jimmy was the oldest of 13 children born to a West Virginia farmer. He started singing on radio station WOLS in nearby Beckley while attending the University of West Virginia, opening his program “crowing like a rooster.” Even though Jimmy had to walk to and from the station, he set his sights on an entertainment career that would eventually find him spreading his brand of “Hillbilly Fever” all around the world.
Artist info obtained from public profile, artist website or social media
Hillbilly singers never will come any hillbilly-er than Little Jimmy Dickens. Indeed, as he put it himself on one early hit record, he’s “a plain old ... cornbread lovin’ country boy,” from the toes of his loudly colored cowboy boots to the top of his head, just 4’11” higher.
The current generation of country fans will recognize Jimmy from his frequent guest spots in the videos of Brad Paisley, but the truth is that Jimmy first gained national exposure nearly half a century ago. None other than Roy Acuff first introduced him to the old Ryman Auditorium stage all the way back in 1948, and Dickens has been wowing Opry audiences pretty much ever since—longer than any other current cast member—with his flamboyant rhinestone-studded outfits, wild novelty hits, and country humor.
Jimmy was the oldest of 13 children born to a West Virginia farmer. He started singing on radio station WOLS in nearby Beckley while attending the University of West Virginia, opening his program “crowing like a rooster.” Even though Jimmy had to walk to and from the station, he set his sights on an entertainment career that would eventually find him spreading his brand of “Hillbilly Fever” all around the world.
Artist info obtained from public profile, artist website or social media
Jimmy C. Newman
CountryArtist Bio:
The legendary Jimmy C. Newman is an absolute pioneer in Cajun-Country music history! He charted 33 songs on the Billboard Country Chart from 1954-1970. A Grand Ole Opry member since 1956, Jimmy C. and wife Mae continue to make their home on their Singing Hills Ranch in Rutherford County, Tennessee, just outside of Nashville.
Artist info obtained from public profile, artist website or social media
The legendary Jimmy C. Newman is an absolute pioneer in Cajun-Country music history! He charted 33 songs on the Billboard Country Chart from 1954-1970. A Grand Ole Opry member since 1956, Jimmy C. and wife Mae continue to make their home on their Singing Hills Ranch in Rutherford County, Tennessee, just outside of Nashville.
Artist info obtained from public profile, artist website or social media







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