Darryl Worley w/Jan Howard, Bill Anderson, Restless Heart, The Whites, Ricky Skaggs, Connie Smith, Jimmy C. Newman, Lorrie Morgan, Bobby Osborne and the Rocky Top X- Press, Craig Campbell & Jeannie SeelyCountry
Darryl Wade Worley was born October 31, 1964 in Memphis, Tennessee to Tommy and Bonnie Worley. His family moved to Pyburn, Tennessee when he was young and he was raised there. His father was a Methodist preacher and his mother sang in the church choir. Worley attended the University of North Alabama and earned a degree in biology and chemistry. He worked in the chemical industry prior to pursuing country music, and wrote for FAME Studios in Muscle Shoals, Alabama. One of his first cuts as a songwriter was a track on Archer/Park's 1994 debut album.
Lula Grace Johnson (born March 13, 1930), known professionally as Jan Howard, is an American country music singer and Grand Ole Opry star. She attained moderate success as a country female vocalist during the 1960s and early 1970s. Her ex-husband was singer-songwriter Harlan Howard. Howard's biggest hit and signature song is the 1966 country hit, "Evil on Your Mind," which peacked at No. 5 on the Billboard country charts. The song is included in the book, Heartaches By the Number: The 500 Greatest Country Music Singles. In the late 1960s and early 70s, she dueted with Bill Anderson on a number of top 10 hits, including the No. 1 hit, "For Loving You."
Bill Anderson has been using that philosophy for almost fifty years to capture the attention of millions of country music fans around the world, en route to becoming a member of the Country Music Hall of Fame and one of the most popular, most enduring entertainers of our time.
He’s known, in fact as “Whispering Bill,” a nickname hung on him years ago as a result of his breathy voice and his warm, soft approach to singing a country song. His credentials, however, shout his prominence: One of the most awarded songwriters in the history of country music, a million-selling recording artist many times over, television game show host, network soap opera star, spokesman for a nationwide restaurant chain, and a consummate onstage performer. His back-up group, The Po’ Folks Band, has long been considered one of the finest instrumental and vocal groups in the business.
The harmonies are pure silver, polished to a high sheen. And, as easily as silver conducts electricity, their music has electrified audiences around the world. Legendary country music group, Restless Heart, is celebrating over 25 years of perfecting the art of entertaining.
Larry Stewart - lead vocals, guitar
Dave Innis - keyboards, vocals
John Dittrich - drums, vocals
Greg Jennings - lead guitar, vocals
Paul Gregg - bass, vocals
"There's nothing like playing music to bring a family together," says Sharon White, but that's not exactly right; over 30 years have shown that the music of The Whites - sisters, Sharon and Cheryl, and father Buck - has just as much power to bring audiences together in a feeling that resembles that of one giant, extended family.
The story of The Whites begins in Texas, when a young Buck White started his musical career not long after the end of World War II, working the dance halls and radio shows in a succession of bands. Honky-tonk music called for the piano and the bluegrass mandolin, and so he became proficient on both, absorbing the many varieties of Texas country and blues to fashion his own distinctive style - one that kept him in steady demand as a sideman throughout the 1950s. In 1961, tired of the rough-and-tumble life of a honky-tonk musician and wanting to raise his family in a more wholesome environment, White moved to Arkansas. Yet within a matter of months, he and wife Pat were once again making music, forming a band with another couple that eventually called themselves the Down Home Folks. As Sharon and Cheryl grew, they, too, were drawn to music ("Mama said I could carry a tune before I could talk," Sharon recalls.) at first forming the Down Home Kids with the children of other Down Home Folks members in the mid-1960s, then moving up to join their parents in a growing number of bluegrass festival appearances.
The first big turning point for the Whites came in 1971, when a successful trip to Bill Monroe's Bean Blossom festival convinced the family that the time was right to move to Nashville and pursue a more serious music career. Though Pat retired from the band in 1973, the move paid off as Buck White and the Down Home Folks began their recording career, featuring the striking family harmonies and top-notch instrumental work that has characterized their music ever since. The remainder of the decade saw them make a steady ascent in the world of bluegrass, recording five acclaimed albums for various labels and working a busy touring schedule, even as they gained a toehold in the country music field thanks to their powerful vocals and broad repertoire. The former, in particular, attracted the attention of Emmylou Harris, who brought them in to sing on her Blue Kentucky Girl album of 1979 and then took them on the road with her as an opening act.
The early part of the 1980s brought The Whites - by then renamed to reflect their family ties - to national prominence as their simple, traditionally-rooted yet dynamic sound put them on Billboard's country charts with a succession of Top 20 hits. Favorites like their first Top 10, "You Put The Blue In Me," as well as "Hangin' Around," "Give Me Back That Old Familiar Feeling," and "Pins And Needles," - the latter all produced by Sharon's husband, Ricky Skaggs (the two married in 1981) - introduced them to new audiences, culminating in the induction as members of the Grand Ole Opry in 1984.
Since then, The Whites have entertained and inspired literally millions of listeners at thousands of personal appearances with their unique sound. Time has also brought renewed attention to Buck White's mandolin playing; as bluegrass historian Neil V. Rosenberg recently said, "insiders have long known of his prowess," and with his appearance on Bluegrass Mandolin Extravaganza, released in 1999, a wider audience has been introduced to his masterful style and compositions.
Their first release for Skaggs Family Records, A Lifetime in the Making, (produced by one of their former sidemen, the legendary Jerry Douglas) proves once again The Whites are among the top ranks of artists able to combine a respect for - and mastery of - traditional country and bluegrass. "We're always falling between the cracks when it comes to styles, but that's just the way our music is. We have dobro, fiddle, and mandolin on this album, as well as some piano. It has the same kind of feel as those singles we made back in the early 1980s, but it's as bluegrass as anything The Whites ever did." Released in the fall of 2000, A Lifetime in the Making received substantial critical acclaim, winning an INDIE Award for 'Best Country Album' (2001), as well as a Golden Voice Award at CMA Music Festival's third annual awards show in Nashville.
In 2001, acoustic music blasted onto the mainstream with the smash hit movie and soundtrack, O Brother Where Art Thou? Buck and the girls were hand selected among bluegrass music's finest to participate in the soundtrack and appear in the film. The Whites were recognized at the International Bluegrass Music Association's (IBMA) Awards Show in 2001, where they won two awards including the well-respected 'Album of the Year' honor. In November of 2001, The Whites were recognized at the 35th Annual Country Music Association (CMA) Awards in the highly esteemed 'Album of the Year' category. Their involvement in the film and soundtrack brought further acclaim the following year, including the highest industry honor achievable - a GRAMMY Award - in the revered 'Album of the Year' category; as well as the 'Album of the Year' nod from the Academy of Country Music (ACM). Along with all the industry accolades, The Whites made numerous appearances in promotion of O Brother, including their involvement in the first 18-city 'Down from the Mountain' tour, a stop at David Letterman's "Late Show" with fellow O Brother artist, Dr. Ralph Stanley, and a featured spot on the follow up tours - the 40 plus city 'Down from the Mountain' summer tour in 2002 and the 'Great High Mountain' tour in the summer of 2004.
In 2007, after years of blending their voices from the living room to the stage, The Whites teamed up with Ricky Skaggs on Salt of the Earth, their first collaborative effort, which earned them a Grammy Award for Best Southern, Country, or Bluegrass Gospel Album and a Dove Award for Bluegrass Recorded Album of the Year. Buck, Sharon, Cheryl, and Ricky share lead vocals with Skaggs' award winning band Kentucky Thunder laying the foundation for their tight family harmony. Traditional hymns, a few familiar favorites, and brand new treasures flow throughout the album providing an intimate look into the heart of one of music's most beloved families.
In 2008, proud Texans Buck, Sharon, and Cheryl received the ultimate honor from their home state with their induction into the Texas Country Music Hall of Fame. For those who have heard The Whites before, that's good news indeed - and for those who haven't, it will be an exciting introduction to a rich, yet comfortable musical world. They may not use the name anymore, but Buck, Sharon, and Cheryl White are still creating music that's as good and as real as everything conjured up by the phrase "down home folks."
Cordell KY | Country
A life full of music is the story of Ricky Skaggs. By age twenty-one, he was already considered a “recognized master” of one of America’s most demanding art forms, but his career took him in other directions, catapulting him to popularity and success in the mainstream of country music. His life’s path has taken him to various musical genres, from where it all began in bluegrass music, to striking out on new musical journeys, while still leaving his musical roots intact.
The year 2012 marks the 53rd year since Ricky struck his first chords on a mandolin, and this 14-time Grammy Award winner continues to do his part to lead the recent roots revival in music. With 12 consecutive Grammy-nominated classics behind him, all from his own Skaggs Family Records label (Bluegrass Rules! in 1998, Ancient Tones in 1999, History of the Future in 2001, Soldier of the Cross, Live at the Charleston Music Hall, and Big Mon: The Songs of Bill Monroe in 2003, Brand New Strings in 2005, Instrumentals in 2007, Salt of the Earth with The Whites in 2008, Honoring the Fathers of Bluegrass: Tribute to 1946 and 1947 in 2009 and Ricky Skaggs Solo: Songs My Dad Loved along with Mosaic in 2010), the diverse and masterful tones made by the gifted Skaggs come from a life dedicated to playing music that is both fed by the soul and felt by the heart.
Ricky was born on July 18, 1954 in Cordell, Kentucky, and received his first mandolin at the age of five after his father, Hobert, heard him harmonizing with his mother from across the house as he played with his toys. Two weeks after teaching him the G, C and D chords, Hobert returned from working out of town shocked to see his young son making chord changes and singing along. He soon earned a reputation among the locals in his community. When the legendary Bill Monroe came to Martha, Kentucky for a performance, the crowd wouldn’t let up until “Little Ricky Skaggs” got up to play. The father of bluegrass called six-year-old Skaggs up and placed his own mandolin around his neck, adjusting the strap to fit his small frame. No one could have imagined what a defining moment that would be in the life of the young prodigy. By age seven, Skaggs had made his Grand Ole Opry debut and performed with bluegrass legends Flatt & Scruggs on their popular syndicated television show, for which he earned his first paycheck for a musical performance.
In 1971, he entered the world of professional music full-time with his friend, the late country singer, Keith Whitley, when the two young musicians were invited to join the band of bluegrass patriarch Ralph Stanley. Ricky soon began to build a reputation for creativity and excitement through live appearances and recordings with acts such as J.D. Crowe & the New South. He performed on the band’s 1975 debut album for Rounder Records, which is widely regarded as one of the most influential bluegrass albums ever made. A stint as a bandleader with Boone Creek followed, bringing the challenges of leadership while giving him further recording and performing experience.
In the late 1970’s, Ricky turned his attention to country music. Though still in his 20’s, the wealth of experience and talent he possessed served him well, first as a member of Emmylou Harris’ Hot Band and later as an individual recording artist on his own. With the release of Waitin’ for the Sun to Shine in 1981, Skaggs reached the top of the country charts and remained there throughout most of the 1980’s, resulting in a total of 12 #1 hits. In 1982, he became a member of the Grand Ole Opry, the youngest to ever be inducted at that time. As his popularity soared, he garnered eight awards from the Country Music Association (CMA), including “Entertainer of the Year” in 1985, four Grammy Awards and dozens of other honors. These achievements also placed him front and center in the neo-traditionalist movement, bringing renewed vitality and prominence to a sound that had been somewhat subdued by the commercialization of the ’Urban Cowboy’ fad. Renowned guitarist and producer, Chet Atkins, even credited Skaggs with “single-handedly” saving country music.
In 1997, after Ricky’s then-current recording contract was coming to an end, he made the decision to establish his own record label – Skaggs Family Records. Since then, Skaggs and his band Kentucky Thunder have released an amazing 12 consecutive Grammy-nominated classics (8 of which went on to earn the revered award) while also opening the label to a variety of other musical artists, all the time keeping emphasis on bluegrass and other forms of roots music. Since then, Ricky and Skaggs Family Records have had the privilege of working with many musical talents, including the Del McCoury Band, Jerry and Tammy Sullivan, Blue Highway, The Whites, Mountain Heart, Melonie Cannon, Ryan Holladay, Keith Sewell, Cherryholmes and Cadillac Sky.
Ricky’s first release for Skaggs Family Records, Bluegrass Rules!, set a new standard for bluegrass, breaking new sales records in the genre, winning Skaggs his sixth Grammy Award and earning the International Bluegrass Music Association’s (IBMA) Album of the Year Award. In 1999, his second all-bluegrass album, Ancient Tones, won a Grammy Award for Best Bluegrass Album – his second consecutive Grammy in that same category. Just one year later, Ricky won his eighth Grammy Award in the Best Southern, Country or Bluegrass Gospel Album category for Soldier of the Cross, his first all-gospel project with his band Kentucky Thunder.
Ricky made further progress with the release of his fourth bluegrass album in 2000, Big Mon: The Songs of Bill Monroe, a project which featured an all-star cast of musicians ranging from Dolly Parton, Patty Loveless and Travis Tritt to Joan Osborne, John Fogerty and Bruce Hornsby, and celebrated the music and the life of Ricky’s mentor, Bill Monroe. Big Mon received much critical acclaim, including a Grammy nomination for Best Country Collaboration with Vocals. The album was re-released by Lyric Street Records in 2002 under a new name, Ricky Skaggs and Friends Sing the Songs of Bill Monroe. His fifth bluegrass album, History of the Future (2001), a timeless collection of both traditional bluegrass standards and newly conceived acoustic gems received rave reviews and industry accolades, including a Grammy nomination for Best Bluegrass Album and an IBMA nomination for Album of the Year, once again placing Skaggs among the leading innovators in the genre.
Skaggs’ first all-live album with Kentucky Thunder, Live at the Charleston Music Hall (2003) led to an IBMA Award for Instrumental Group of the Year – an award Skaggs and Kentucky Thunder has taken home 8 times in the last decade. The decision to record a live album was an obvious one for Skaggs. From a string of high-profile tour dates with the Dixie Chicks in 2000, to his position as host of the unprecedented “All*Star Bluegrass Celebration” which aired nationwide on PBS in 2002, to his participation in the wildly successful 41-city ’Down from the Mountain’ tour – Ricky has become one of bluegrass’ most dynamic and sought-after live performers.
He counts the current configuration of Kentucky Thunder among the best group of musicians he has ever worked with. “This group of guys meets my approval every night,” Ricky says. “Each and every one of the pickers in Kentucky Thunder totally amazes me in every show…and that, to me, outweighs any award we could ever win.” The all-star lineup of Kentucky Thunder includes Andy Leftwich (fiddle), Cody Kilby (lead guitar), Paul Brewster (tenor vocals, rhythm guitar), Eddie Faris (baritone vocals, rhythm guitar) Justin Moses ((banjo, background vocals) and Scott Mulvahill (bass, bass vocals). Live at the Charleston Music Hall was honored in 2004 with a Grammy Award for Best Country Performance by a Duo or Group for the Harley Allen-penned track, “A Simple Life.”
In 2005, Ricky earned his 10th career Grammy (Best Bluegrass Album) for Brand New Strings – a beautiful collection of music featuring four Skaggs originals as well as several tunes by some of his most admired contemporaries, including Harley Allen, Guy Clark and Shawn Camp. In 2006, Skaggs was honored with a Grammy Award – this time in the Best Musical Album for Children category – for his contribution to Songs from the Neighborhood: the Music of Mister Rogers. Greater success followed with the release of Ricky Skaggs and Kentucky Thunder Instrumentals, an album of all-original, all-instrumental material in the fall of 2006. Praised by fans and critics alike as a landmark album for Skaggs, Instrumentals debuted at No. 1 on Billboard’s bluegrass album chart and earned Ricky his 12th career Grammy Award (Best Bluegrass Album).
Cross pollination has been a mainstay throughout Ricky’s career, from his weekly collaborations with various artists as host of The Nashville Network’s Monday Night Concerts in the 1990’s to his recent pairings with Bruce Hornsby and The Whites. Released in March of 2007, Ricky Skaggs and Bruce Hornsby (Sony/Legacy) drew from the deep roots in mountain music – adding piano and Hornsby’s inimitable songwriting to the core bluegrass lineup of mandolin, guitar, bass, fiddle and banjo. A major ’CMT Crossroads’ special coincided with the album’s release.
His next recorded project, released in September of 2007 on Skaggs Family Records, was a literal family affair. After years of blending their voices from the living room to the stage, Ricky Skaggs and The Whites teamed up for their first collaborative gospel album, Salt of the Earth, which resulted in a 13th career Grammy Award for Best Southern, Country or Bluegrass Gospel Album, followed by a Gospel Music Association Dove Award for Bluegrass Recorded Album of the Year and Inspirational Country Music Awards for Musician of the Year as well as Mainstream Country Artist of the Year and Inspirational Bluegrass Artist of the Year (with The Whites).
In 2008, Skaggs paid tribute to the man he has often referred to as his “musical father”, Bill Monroe, and the original lineup of the Bluegrass Boys (Earl Scruggs, Lester Flatt, Chubby Wise and Howard Watts) with the release of Honoring the Fathers of Bluegrass: Tribute to 1946 and 1947, earning a 14th career Grammy Award for Best Bluegrass Album.
A musical father in his own right, Skaggs continued on the full circle path with the addition of a ReIssue Series of his groundbreaking country music masterworks to the Skaggs Family Records catalog in 2009. Beginning with 1982’s Highways & Heartaches, and followed by 1981’s Waitin’ for the Sun to Shine and 1983’s Don’t Cheat in Our Hometown, the ReIssue Series will include nine albums total and includes bonus retrospectives with each release, which feature Ricky, in his own words, sharing never-before-told stories about the making of each project.
Skaggs’ first-ever solo album, Ricky Skaggs Solo: Songs My Dad Loved (2009), celebrated the man that caused him to fall in love with music – his father, Hobert Skaggs. He elaborates, “If I could’ve gotten my dad into the studio, this is how I would’ve wanted him to sound.” Playing every instrument and singing every note on the album, Ricky brought raw, emotional honesty to the songs. By coming home to the music that meant so much to him as a child, Ricky tapped into a wellspring of passion that is channeled into every tune, as though he willed himself back to his family’s house in Kentucky. Solo was honored in the American roots field with a Grammy nomination for Best Traditional Folk Album in 2010.
Ricky Skaggs’ album, Mosaic (2010), marked a return to a full band sound that mixed elements of Country music with Beatles-esque melody and lyrics that spoke to Skaggs’ faith, “making music that is in my head and in my heart,” as Ricky said. Grammy winning songwriter/producer Gordon Kennedy, who co-wrote Eric Clapton’s “Change the World,” was instrumental as co-producer and writer. This most special album hooks the heart, as the sounds invite you in to take notice and come closer. They have blended their talents and love of music with their love for the Lord to create this distinctive collaboration of writing and talent, unparalleled in strength of genius. The song, “Return to Sender” from Mosaic was nominated for a Grammy for Best Gospel Song, and the album was a contender for Best Pop/Contemporary Gospel Album at the 53rd Grammy Awards, receiving major critical acclaim.
Marking Ricky’s 50th year in music was the release of Country Hits Bluegrass Style (2011), a compilation of many of Skaggs’ #1 country hits and fan favorites played in a bluegrass style. Combining his country and bluegrass roots along with Ricky’s impeccable tenor voice, his eight time IBMA Instrumental Band of the Year, Kentucky Thunder, and some of Ricky’s original award-winning country band alumni together with special friends added to the magic of this release.
Long awaited by country and bluegrass music fans alike, Music To My Ears (2012) is an exciting new offering by Ricky. Fresh, new bluegrass tunes co-written by Skaggs along with a brand new instrumental mark this CD in distinction among all others, while new takes on older bluegrass standards add to its charm. The album features a new duet with Ricky Skaggs and Barry Gibb (of Bee Gees fame) on deeply moving “Soldier’s Son,” along with new bluegrass treasure “You Can’t Hurt Ham,” inspired by a true story of Mr. Bill Monroe.
Ricky Skaggs has often said that he is “just trying to make a living” playing the music he loves. But it’s clear that his passion for it puts him in the position to bring his lively, distinctively American form of music out of isolation and into the ears and hearts of audiences across the country and around the world. Ricky Skaggs is always forging ahead with cross-cultural, genre-bending musical ideas and inspirations.
It is a Nashville legend that Connie's first record, the aching and unforgettable "Once a Day," written by Bill Anderson and recorded on July 16, 1964 when she was just 23, became one of the most celebrated singles in country music history—the first debut single by a female country singer to go to Number One, a position it held for eight weeks. Forty-seven years later it is still the only first single ever to have done that. When Connie sang "Once A Day" in the all-star B-movie musical Second Fiddle to a Steel Guitar the following year, she was introduced on-screen as "The Cinderella of Country Music." "Once A Day," and her stunning rendition of "How Great Thou Art" remain the two most requested songs by her fans to this day. Connie's memorable string of hits would include "You and Your Sweet Love" "If It Ain't Love" "Where Is My Castle?" "Run Away Little Tears" "Just One Time" and "I Never Once Stopped Loving You." The passion for singing and for the songs, and the singular vocal precision in delivering them that marked those standards-to-be are fully on display in this return to recording. "If you add up all the songs on this album," Ms. Smith says, "it would add up to my personality. It's me talking again, after so many years, with a message no different than I've always had. It's just that I love you, and I want that love to come back." It's bound to.
Jimmy C. Newman
TN | Country
The legendary Jimmy C. Newman is an absolute pioneer in Cajun-Country music history! He charted 33 songs on the Billboard Country Chart from 1954-1970. A Grand Ole Opry member since 1956, Jimmy C. and wife Mae continue to make their home on their Singing Hills Ranch in Rutherford County, Tennessee, just outside of Nashville.
Loretta Lynn "Lorrie" Morgan (born on June 27, 1959 in Nashville, Tennessee) is an American country music singer. The daughter of singer George Morgan, she made her first appearance on the Grand Ole Opry at age thirteen, performing Marie Osmond's "Paper Roses." Her father died when she was sixteen. When her father died in 1975, she took over his band and began leading the group through various club gigs.
Bobby Osborne and the Rocky Top X- Press
Bobby Osborne is a bluegrass musician known for his mandolin playing and high lead vocals. Born December 7, 1931 in Leslie County, Kentucky, Bobby Osborne is known primarily for his collaborations with his brother Sonny Osborne in their band, the Osborne Brothers. He was a pioneer in conceiving the now-popular "high lead" vocal trio concept. He has released numerous recordings since the 1950s. Most notably, the Osborne Brothers recordings of "Rocky Top", and "Kentucky" inpired their being named official state songs of Tennessee and Kentucky, respectively.
Titusville PA | Country
Along with many accolades including awards from Billboard, Cashbox and Record World, country music legend Jeannie Seely has achieved No. 1 songs as a solo artist, as a duet partner and as a songwriter. Her deeply moving vocals earned her the nickname of "Miss Country Soul".
Jeannie’s recording of "Don’t Touch Me" not only topped the charts, but also earned her a Grammy Award for the "Best Country Vocal Performance by a Female". It is ranked at No. 97 in the book "Country Music’s 500 Greatest Singles" published by the Country Music Foundation, and also included in "The Stories Behind Country Music’s All-Time Greatest 100 Songs".
Born in Titusville, Pennsylvania, and raised on a farm outside of nearby Townville, Jeannie was singing on Meadville radio station WMGW at age 11, and by 16 was performing on TV station WICU in Erie. When she moved to Nashville upon the encouragement of friend Dottie West, Jeannie only had $50 and a Ford Falcon to her name, but within a month Porter Wagoner hired her as the female singer for his road and television series.