Nashville Scene

Even in a career as filled with music and milestones as that of Rascal Flatts, there are times when capturing the moment isn't difficult. Sometimes, it only takes a word. The release of Changed, the trio's eighth studio album, is a great case in point.

"Given what we've been through the past two years," says Jay DeMarcus, "I don't think there could be any better title. This feels like the next step in Rascal Flatts' evolution."

What the trio has been through amounts to an almost complete metamorphosis of the business aspects of their career. Jay, who handles bass and vocals, along with guitarist/vocalist Joe Don Rooney and lead vocalist extraordinaire Gary LeVox, have established themselves at Big Machine Records following the 2010 demise of their longtime label, and have joined forces with Spalding Entertainment after parting with their longtime management team. The fact that their first CD for Big Machine, Nothing Like This, hit #1 on the charts and produced three singles of the caliber of "Why Wait," "I Won't Let Go" and "Easy," would seem to indicate they've handled the process smoothly, but they are quick to point out that any transition this big holds its challenges.

"Change isn't always easy to go through," says Joe Don, "and some of this was hard for us. But fortunately there's another side to change. We're all family men now, husbands and fathers, and there is so much stability to draw on there. Put it all together, and it's life-changing stuff that can be scary, but beautiful at the same time."

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Bobby Osborne is a bluegrass musician known for his mandolin playing and high lead vocals. Born December 7, 1931 in Leslie County, Kentucky, Bobby Osborne is known primarily for his collaborations with his brother Sonny Osborne in their band, the Osborne Brothers. He was a pioneer in conceiving the now-popular "high lead" vocal trio concept. He has released numerous recordings since the 1950s. Most notably, the Osborne Brothers recordings of "Rocky Top", and "Kentucky" inpired their being named official state songs of Tennessee and Kentucky, respectively.

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Bill Anderson has been using that philosophy for almost fifty years to capture the attention of millions of country music fans around the world, en route to becoming a member of the Country Music Hall of Fame and one of the most popular, most enduring entertainers of our time.

He’s known, in fact as “Whispering Bill,” a nickname hung on him years ago as a result of his breathy voice and his warm, soft approach to singing a country song. His credentials, however, shout his prominence: One of the most awarded songwriters in the history of country music, a million-selling recording artist many times over, television game show host, network soap opera star, spokesman for a nationwide restaurant chain, and a consummate onstage performer. His back-up group, The Po’ Folks Band, has long been considered one of the finest instrumental and vocal groups in the business.

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When Craig Morgan was ten years old and on a school field trip to Nashville, he sang "The Star-Spangled Banner" well enough to catch the ear of a distinctive older lady in the crowd. "She walked up to me and said, 'Son, someday you're gonna be a famous singer,'" Morgan remembers. Two-plus decades later, he'd be looking at a picture of the woman-Minnie Pearl-in the Ryman Auditorium dressing room that bears her name, getting ready for his first performance on the Grand Ole Opry. What Minnie didn't know was that before his moment in the spotlight finally came, Morgan would be an EMT, a contractor, a sheriff's deputy and a Wal-Mart assistant dairy manager. He'd also spend ten years serving his country in the U.S. Army.

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If there is one word best suited to describe Jim Ed Brown, it is veratile. As a dynamic component in duets and a trio, as a solo recording artist, and as a popular television host, in the course of his professional lifetime, he has filled role after role with shining success. The last career of this balladeer from Arkansas can easily be likened to a well-cut gem, with its facets reflecting light on many different planes, yet collectively achieving the warm, enduring brilliance of an unforgettable star, a TRUE LEGEND...

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Universal Music Group singer/songwriter Kacey Musgraves, 24, recently completed recording her debut album in Nashville, TN and will release her first single “Merry Go Round” to radio September 10. The album was co-produced by Kacey, Shane McAnally and Luke Laird and is set for release in late 2012. Kacey, a Texas native, began singing publicly at 8-years-old and wrote her first song at 9-years-old. To date, that talent has produced cuts for multi-platinum artists such as Martina McBride and Miranda Lambert. Miranda’s current album includes Kacey’s co-written track “Mama’s Broken Heart” which Rolling Stone Magazine ranked #26 in their “50 Best Singles of 2011” list.

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A life full of music is the story of Ricky Skaggs. By age twenty-one, he was already considered a “recognized master” of one of America’s most demanding art forms, but his career took him in other directions, catapulting him to popularity and success in the mainstream of country music. His life’s path has taken him to various musical genres, from where it all began in bluegrass music, to striking out on new musical journeys, while still leaving his musical roots intact.

The year 2012 marks the 53rd year since Ricky struck his first chords on a mandolin, and this 14-time Grammy Award winner continues to do his part to lead the recent roots revival in music. With 12 consecutive Grammy-nominated classics behind him, all from his own Skaggs Family Records label (Bluegrass Rules! in 1998, Ancient Tones in 1999, History of the Future in 2001, Soldier of the Cross, Live at the Charleston Music Hall, and Big Mon: The Songs of Bill Monroe in 2003, Brand New Strings in 2005, Instrumentals in 2007, Salt of the Earth with The Whites in 2008, Honoring the Fathers of Bluegrass: Tribute to 1946 and 1947 in 2009 and Ricky Skaggs Solo: Songs My Dad Loved along with Mosaic in 2010), the diverse and masterful tones made by the gifted Skaggs come from a life dedicated to playing music that is both fed by the soul and felt by the heart.

Ricky was born on July 18, 1954 in Cordell, Kentucky, and received his first mandolin at the age of five after his father, Hobert, heard him harmonizing with his mother from across the house as he played with his toys. Two weeks after teaching him the G, C and D chords, Hobert returned from working out of town shocked to see his young son making chord changes and singing along. He soon earned a reputation among the locals in his community. When the legendary Bill Monroe came to Martha, Kentucky for a performance, the crowd wouldn’t let up until “Little Ricky Skaggs” got up to play. The father of bluegrass called six-year-old Skaggs up and placed his own mandolin around his neck, adjusting the strap to fit his small frame. No one could have imagined what a defining moment that would be in the life of the young prodigy. By age seven, Skaggs had made his Grand Ole Opry debut and performed with bluegrass legends Flatt & Scruggs on their popular syndicated television show, for which he earned his first paycheck for a musical performance.

In 1971, he entered the world of professional music full-time with his friend, the late country singer, Keith Whitley, when the two young musicians were invited to join the band of bluegrass patriarch Ralph Stanley. Ricky soon began to build a reputation for creativity and excitement through live appearances and recordings with acts such as J.D. Crowe & the New South. He performed on the band’s 1975 debut album for Rounder Records, which is widely regarded as one of the most influential bluegrass albums ever made. A stint as a bandleader with Boone Creek followed, bringing the challenges of leadership while giving him further recording and performing experience.

In the late 1970’s, Ricky turned his attention to country music. Though still in his 20’s, the wealth of experience and talent he possessed served him well, first as a member of Emmylou Harris’ Hot Band and later as an individual recording artist on his own. With the release of Waitin’ for the Sun to Shine in 1981, Skaggs reached the top of the country charts and remained there throughout most of the 1980’s, resulting in a total of 12 #1 hits. In 1982, he became a member of the Grand Ole Opry, the youngest to ever be inducted at that time. As his popularity soared, he garnered eight awards from the Country Music Association (CMA), including “Entertainer of the Year” in 1985, four Grammy Awards and dozens of other honors. These achievements also placed him front and center in the neo-traditionalist movement, bringing renewed vitality and prominence to a sound that had been somewhat subdued by the commercialization of the ’Urban Cowboy’ fad. Renowned guitarist and producer, Chet Atkins, even credited Skaggs with “single-handedly” saving country music.

In 1997, after Ricky’s then-current recording contract was coming to an end, he made the decision to establish his own record label – Skaggs Family Records. Since then, Skaggs and his band Kentucky Thunder have released an amazing 12 consecutive Grammy-nominated classics (8 of which went on to earn the revered award) while also opening the label to a variety of other musical artists, all the time keeping emphasis on bluegrass and other forms of roots music. Since then, Ricky and Skaggs Family Records have had the privilege of working with many musical talents, including the Del McCoury Band, Jerry and Tammy Sullivan, Blue Highway, The Whites, Mountain Heart, Melonie Cannon, Ryan Holladay, Keith Sewell, Cherryholmes and Cadillac Sky.

Ricky’s first release for Skaggs Family Records, Bluegrass Rules!, set a new standard for bluegrass, breaking new sales records in the genre, winning Skaggs his sixth Grammy Award and earning the International Bluegrass Music Association’s (IBMA) Album of the Year Award. In 1999, his second all-bluegrass album, Ancient Tones, won a Grammy Award for Best Bluegrass Album – his second consecutive Grammy in that same category. Just one year later, Ricky won his eighth Grammy Award in the Best Southern, Country or Bluegrass Gospel Album category for Soldier of the Cross, his first all-gospel project with his band Kentucky Thunder.

Ricky made further progress with the release of his fourth bluegrass album in 2000, Big Mon: The Songs of Bill Monroe, a project which featured an all-star cast of musicians ranging from Dolly Parton, Patty Loveless and Travis Tritt to Joan Osborne, John Fogerty and Bruce Hornsby, and celebrated the music and the life of Ricky’s mentor, Bill Monroe. Big Mon received much critical acclaim, including a Grammy nomination for Best Country Collaboration with Vocals. The album was re-released by Lyric Street Records in 2002 under a new name, Ricky Skaggs and Friends Sing the Songs of Bill Monroe. His fifth bluegrass album, History of the Future (2001), a timeless collection of both traditional bluegrass standards and newly conceived acoustic gems received rave reviews and industry accolades, including a Grammy nomination for Best Bluegrass Album and an IBMA nomination for Album of the Year, once again placing Skaggs among the leading innovators in the genre.

Skaggs’ first all-live album with Kentucky Thunder, Live at the Charleston Music Hall (2003) led to an IBMA Award for Instrumental Group of the Year – an award Skaggs and Kentucky Thunder has taken home 8 times in the last decade. The decision to record a live album was an obvious one for Skaggs. From a string of high-profile tour dates with the Dixie Chicks in 2000, to his position as host of the unprecedented “All*Star Bluegrass Celebration” which aired nationwide on PBS in 2002, to his participation in the wildly successful 41-city ’Down from the Mountain’ tour – Ricky has become one of bluegrass’ most dynamic and sought-after live performers.

He counts the current configuration of Kentucky Thunder among the best group of musicians he has ever worked with. “This group of guys meets my approval every night,” Ricky says. “Each and every one of the pickers in Kentucky Thunder totally amazes me in every show…and that, to me, outweighs any award we could ever win.” The all-star lineup of Kentucky Thunder includes Andy Leftwich (fiddle), Cody Kilby (lead guitar), Paul Brewster (tenor vocals, rhythm guitar), Eddie Faris (baritone vocals, rhythm guitar) Justin Moses ((banjo, background vocals) and Scott Mulvahill (bass, bass vocals). Live at the Charleston Music Hall was honored in 2004 with a Grammy Award for Best Country Performance by a Duo or Group for the Harley Allen-penned track, “A Simple Life.”

In 2005, Ricky earned his 10th career Grammy (Best Bluegrass Album) for Brand New Strings – a beautiful collection of music featuring four Skaggs originals as well as several tunes by some of his most admired contemporaries, including Harley Allen, Guy Clark and Shawn Camp. In 2006, Skaggs was honored with a Grammy Award – this time in the Best Musical Album for Children category – for his contribution to Songs from the Neighborhood: the Music of Mister Rogers. Greater success followed with the release of Ricky Skaggs and Kentucky Thunder Instrumentals, an album of all-original, all-instrumental material in the fall of 2006. Praised by fans and critics alike as a landmark album for Skaggs, Instrumentals debuted at No. 1 on Billboard’s bluegrass album chart and earned Ricky his 12th career Grammy Award (Best Bluegrass Album).

Cross pollination has been a mainstay throughout Ricky’s career, from his weekly collaborations with various artists as host of The Nashville Network’s Monday Night Concerts in the 1990’s to his recent pairings with Bruce Hornsby and The Whites. Released in March of 2007, Ricky Skaggs and Bruce Hornsby (Sony/Legacy) drew from the deep roots in mountain music – adding piano and Hornsby’s inimitable songwriting to the core bluegrass lineup of mandolin, guitar, bass, fiddle and banjo. A major ’CMT Crossroads’ special coincided with the album’s release.

His next recorded project, released in September of 2007 on Skaggs Family Records, was a literal family affair. After years of blending their voices from the living room to the stage, Ricky Skaggs and The Whites teamed up for their first collaborative gospel album, Salt of the Earth, which resulted in a 13th career Grammy Award for Best Southern, Country or Bluegrass Gospel Album, followed by a Gospel Music Association Dove Award for Bluegrass Recorded Album of the Year and Inspirational Country Music Awards for Musician of the Year as well as Mainstream Country Artist of the Year and Inspirational Bluegrass Artist of the Year (with The Whites).

In 2008, Skaggs paid tribute to the man he has often referred to as his “musical father”, Bill Monroe, and the original lineup of the Bluegrass Boys (Earl Scruggs, Lester Flatt, Chubby Wise and Howard Watts) with the release of Honoring the Fathers of Bluegrass: Tribute to 1946 and 1947, earning a 14th career Grammy Award for Best Bluegrass Album.

A musical father in his own right, Skaggs continued on the full circle path with the addition of a ReIssue Series of his groundbreaking country music masterworks to the Skaggs Family Records catalog in 2009. Beginning with 1982’s Highways & Heartaches, and followed by 1981’s Waitin’ for the Sun to Shine and 1983’s Don’t Cheat in Our Hometown, the ReIssue Series will include nine albums total and includes bonus retrospectives with each release, which feature Ricky, in his own words, sharing never-before-told stories about the making of each project.

Skaggs’ first-ever solo album, Ricky Skaggs Solo: Songs My Dad Loved (2009), celebrated the man that caused him to fall in love with music – his father, Hobert Skaggs. He elaborates, “If I could’ve gotten my dad into the studio, this is how I would’ve wanted him to sound.” Playing every instrument and singing every note on the album, Ricky brought raw, emotional honesty to the songs. By coming home to the music that meant so much to him as a child, Ricky tapped into a wellspring of passion that is channeled into every tune, as though he willed himself back to his family’s house in Kentucky. Solo was honored in the American roots field with a Grammy nomination for Best Traditional Folk Album in 2010.

Ricky Skaggs’ album, Mosaic (2010), marked a return to a full band sound that mixed elements of Country music with Beatles-esque melody and lyrics that spoke to Skaggs’ faith, “making music that is in my head and in my heart,” as Ricky said. Grammy winning songwriter/producer Gordon Kennedy, who co-wrote Eric Clapton’s “Change the World,” was instrumental as co-producer and writer. This most special album hooks the heart, as the sounds invite you in to take notice and come closer. They have blended their talents and love of music with their love for the Lord to create this distinctive collaboration of writing and talent, unparalleled in strength of genius. The song, “Return to Sender” from Mosaic was nominated for a Grammy for Best Gospel Song, and the album was a contender for Best Pop/Contemporary Gospel Album at the 53rd Grammy Awards, receiving major critical acclaim.

Marking Ricky’s 50th year in music was the release of Country Hits Bluegrass Style (2011), a compilation of many of Skaggs’ #1 country hits and fan favorites played in a bluegrass style. Combining his country and bluegrass roots along with Ricky’s impeccable tenor voice, his eight time IBMA Instrumental Band of the Year, Kentucky Thunder, and some of Ricky’s original award-winning country band alumni together with special friends added to the magic of this release.

Long awaited by country and bluegrass music fans alike, Music To My Ears (2012) is an exciting new offering by Ricky. Fresh, new bluegrass tunes co-written by Skaggs along with a brand new instrumental mark this CD in distinction among all others, while new takes on older bluegrass standards add to its charm. The album features a new duet with Ricky Skaggs and Barry Gibb (of Bee Gees fame) on deeply moving “Soldier’s Son,” along with new bluegrass treasure “You Can’t Hurt Ham,” inspired by a true story of Mr. Bill Monroe.

Ricky Skaggs has often said that he is “just trying to make a living” playing the music he loves. But it’s clear that his passion for it puts him in the position to bring his lively, distinctively American form of music out of isolation and into the ears and hearts of audiences across the country and around the world. Ricky Skaggs is always forging ahead with cross-cultural, genre-bending musical ideas and inspirations.

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The Whites are an American country music vocal group consisting of Buck White and his daughters Sharon and Cheryl. In the 1980s they scored hits with songs including “Pins and Needles” and “When the New Wears Off of Our Love.” Sharon White has been married to Ricky Skaggs since 1982; the couple had their own hit song, “Love Can’t Ever Get Better Than This” (1987). As of 2006, they are regular performers on the Grand Ole Opry program in Nashville, Tennessee.

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Singer/Songwriter from Marietta, GA.

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Along with many accolades including awards from Billboard, Cashbox and Record World, country music legend Jeannie Seely has achieved No. 1 songs as a solo artist, as a duet partner and as a songwriter. Her deeply moving vocals earned her the nickname of "Miss Country Soul".

Jeannie’s recording of "Don’t Touch Me" not only topped the charts, but also earned her a Grammy Award for the "Best Country Vocal Performance by a Female". It is ranked at No. 97 in the book "Country Music’s 500 Greatest Singles" published by the Country Music Foundation, and also included in "The Stories Behind Country Music’s All-Time Greatest 100 Songs".

Born in Titusville, Pennsylvania, and raised on a farm outside of nearby Townville, Jeannie was singing on Meadville radio station WMGW at age 11, and by 16 was performing on TV station WICU in Erie. When she moved to Nashville upon the encouragement of friend Dottie West, Jeannie only had $50 and a Ford Falcon to her name, but within a month Porter Wagoner hired her as the female singer for his road and television series.

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Arista recording artists, The Henningsens have come a long way in a few short years. First, this farm family from Illinois, including Brian (dad), Aaron (eldest son) and Clara (daughter) achieved something that many new writers in Nashville only dream of. They have had eight of their songs recorded by major artists. Their cuts include the super group Band Perry's You Lie which reached a near chart topping #2 and the the two week #1 smash All Your Life. They also wrote Alone, recorded by Sara Evans, the title cut of country legend Highway 101's Christmas album, Six Gold Coins and Love Out Loud recorded by the legendary Wynona Judd as a tribute to her mother Naomi, and appeared on The Judd's Oprah Network television series.

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Mike Snider, (born May 5, 1961), is an American bluegrass banjo player and humorist. He learned to play banjo at the age of 16. Although he is well known for irreverent humor, he is a well respected banjo player. Much of his comedy is based on stories about his wife, Sabrina, referred to as Sweetie.

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