John Conlee, The Boxcars, Kristen Kelly, Jeannie Seely, Ray Pillow, Striking Matches, Jim Ed Brown, The Whites, Rhonda Vincent, Mike Snider, Morgan Frazier, & Jimmy C. NewmanCountry
Fort Worth TX | Country
One of the most respected vocalists to emerge during the urban cowboy era, John Conlee was known for his superb taste in material and his distinctively melancholy voice. Conlee was born and raised on a tobacco farm in Versailles, KY, in 1946, and took up the guitar as a child, performing on local radio at age ten. He went on to sing with the town barbershop chorus, but didn't initially pursue music as a career, instead becoming a licensed mortician. He also worked as a disc jockey at numerous area radio stations, and made important industry connections via that area when he moved to Nashville in 1971. Five years later, Conlee's demo tape got him a contract with ABC. He released a few singles, but didn't find acceptance until 1978's "Rose Colored Glasses," a song he'd co-written with a newsman at his radio station, rocketed into the country Top Five. Conlee spent the next decade or so scoring hit after hit, nearly all of them helmed by producer Bud Logan. He had two number ones in 1979 alone -- "Lady Lay Down" and "Backside of Thirty" -- and four number two hits through 1981, which included "Before My Time," "Friday Night Blues," "She Can't Say That Anymore," and "Miss Emily's Picture." Conlee returned to the top of the charts three times over 1983-1984 with "Common Man," "I'm Only in It for the Love," and "In My Eyes," and had his last number one in 1986 with "Got My Heart Set on You." All told, Conlee made the Top Ten 19 times through 1987, when he moved from MCA to Columbia and reached the Top Five with "Domestic Life." Never much for touring, Conlee subsequently curtailed his recording activities as well, instead devoting his time to charity work (often on behalf of American farmers), raising his family, and running his own farm outside Nashville.
Adam Steffey, Ron Stewart, John R. Bowman, Keith Garrett and Harold Nixon make up the new group "The Boxcars." With collective stints with Alison Krauss & Union Station (Adam Steffey, John Bowman), J.D. Crowe & The New South (Ron Stewart, John Bowman, Harold Nixon), Blue Moon Rising (Keith Garrett and Harold Nixon), The Isaacs (John Bowman) and most recently The Dan Tyminski Band (Steffey and Stewart), this quintet starts out with an impressive rap sheet. Steffey's newly realease project on Sugar Hill, One More For The Road is a receiving a great deal of airplay and attention and features guest appearances by Krauss, Ronnie Bowman and Tyminski. Expect The Boxcars to cover this material and branch out into their own unique style of contemporary bluegrass laced with Steffey's signature rhythm that can be traced back to the early days of Union Station. Award winning instrumentalist Ron Stewart will deliver rock solid banjo work, but will also lay down the banjo for the fiddle on some tunes. It's always a rarity to have multiple strong vocalists in the same group, and The Boxcars will benefit from strong vocal performances from Keith Garrett, John Bowman and Steffey's signature baritone. They are on Crossroads/Mountain Home.
Adam Steffey - Mandolin
Ron Stewart - Banjo / Fiddle
John Bowman- Fiddle / Guitar / Banjo
Keith Garrett - Guitar
Harold Nixon - Bass
Lorena TX | Country
Im a small town girl from a big ass state living the life out a suitcase dream - writing songs & singing them to anyone who'll listen. People believe in Kristen Kelly. Candid and down to earth, with a room-filling smile and a voice that echoes the heart of what she sings, Kristen laughs as she describes her music as “a little more grease than polish.” And that grease is an exciting mix, distilled from her country, blues, and classic rock influences into a passionate, playful, often sexy, and always heartfelt reflection of real life as she knows it.
“I have a hard time singing or writing about something I can’t relate to,” she says, and that philosophy is front and center on her Arista Nashville debut album, co-produced by nine-time CMA Award-winning producer Tony Brown and two-time GRAMMY®-winning songwriter Paul Overstreet.
“Paul got the ball rolling,” Kristen says. A chance meeting at a 2010 benefit concert impressed Overstreet enough to invite her to write with him, sparking a chain of events that ultimately led to her record deal. But Kristen was far from an “overnight” discovery.
Born in Waco, Texas, Kristen Kelly grew up in the country, living on 10 acres in small-town Lorena, Texas. “You blink, you miss it,” she smiles. She credits her outdoorsy, adventurous spirit in adult life to those days of “simple country living.”
Titusville PA | Country
Along with many accolades including awards from Billboard, Cashbox and Record World, country music legend Jeannie Seely has achieved No. 1 songs as a solo artist, as a duet partner and as a songwriter. Her deeply moving vocals earned her the nickname of "Miss Country Soul".
Jeannie’s recording of "Don’t Touch Me" not only topped the charts, but also earned her a Grammy Award for the "Best Country Vocal Performance by a Female". It is ranked at No. 97 in the book "Country Music’s 500 Greatest Singles" published by the Country Music Foundation, and also included in "The Stories Behind Country Music’s All-Time Greatest 100 Songs".
Born in Titusville, Pennsylvania, and raised on a farm outside of nearby Townville, Jeannie was singing on Meadville radio station WMGW at age 11, and by 16 was performing on TV station WICU in Erie. When she moved to Nashville upon the encouragement of friend Dottie West, Jeannie only had $50 and a Ford Falcon to her name, but within a month Porter Wagoner hired her as the female singer for his road and television series.
Ray Pillow (born July 4, 1937 in Lynchburg, Virginia) is an American country music singer who has also worked as a music publisher and A&R representative. In his career, he has charted eighteen times on the Billboard country singles charts, with his highest-peaking song being the No. 9 "I'll Take the Dog," a duet with Jean Shepard. After charting for the last time in 1981, Pillow founded Sycamore Records with Larry McFadden, and later worked in the A&R department of Capitol Records. Pillow has been a member of the Grand Ole Opry since 1966.
Simply stated, Striking Matches, made up of Sarah Zimmermann and Justin Davis, came to Nashville to play music. Sarah, a Philadelphia native and Justin from Atlanta met when a professor at Belmont University paired them at random to play for a classroom full of guitar majors. Consequently, their first performance was the first time they had ever played together. The pair has been writing and performing ever since. Their influences range from Jerry Reed to the Beatles, John Mayer to Patsy Cline, and back again. It becomes more obvious every day that they were born to play music together.
Sarah and Justin put out their first self-titled EP in October 2012, and their song "When the Right One Comes Along" (co-written with Georgia Middleman) was featured on ABC's new drama "Nashville". Since then, the duo has performed across the country opening for acts like Kip Moore and John Hiatt, as well as Nashville's New Year's Even Bash On Broadway with the Fray, and the Grand Ole Opry.
Jim Ed Brown
If there is one word best suited to describe Jim Ed Brown, it is veratile. As a dynamic component in duets and a trio, as a solo recording artist, and as a popular television host, in the course of his professional lifetime, he has filled role after role with shining success. The last career of this balladeer from Arkansas can easily be likened to a well-cut gem, with its facets reflecting light on many different planes, yet collectively achieving the warm, enduring brilliance of an unforgettable star, a TRUE LEGEND...
"There's nothing like playing music to bring a family together," says Sharon White, but that's not exactly right; over 30 years have shown that the music of The Whites - sisters, Sharon and Cheryl, and father Buck - has just as much power to bring audiences together in a feeling that resembles that of one giant, extended family.
The story of The Whites begins in Texas, when a young Buck White started his musical career not long after the end of World War II, working the dance halls and radio shows in a succession of bands. Honky-tonk music called for the piano and the bluegrass mandolin, and so he became proficient on both, absorbing the many varieties of Texas country and blues to fashion his own distinctive style - one that kept him in steady demand as a sideman throughout the 1950s. In 1961, tired of the rough-and-tumble life of a honky-tonk musician and wanting to raise his family in a more wholesome environment, White moved to Arkansas. Yet within a matter of months, he and wife Pat were once again making music, forming a band with another couple that eventually called themselves the Down Home Folks. As Sharon and Cheryl grew, they, too, were drawn to music ("Mama said I could carry a tune before I could talk," Sharon recalls.) at first forming the Down Home Kids with the children of other Down Home Folks members in the mid-1960s, then moving up to join their parents in a growing number of bluegrass festival appearances.
The first big turning point for the Whites came in 1971, when a successful trip to Bill Monroe's Bean Blossom festival convinced the family that the time was right to move to Nashville and pursue a more serious music career. Though Pat retired from the band in 1973, the move paid off as Buck White and the Down Home Folks began their recording career, featuring the striking family harmonies and top-notch instrumental work that has characterized their music ever since. The remainder of the decade saw them make a steady ascent in the world of bluegrass, recording five acclaimed albums for various labels and working a busy touring schedule, even as they gained a toehold in the country music field thanks to their powerful vocals and broad repertoire. The former, in particular, attracted the attention of Emmylou Harris, who brought them in to sing on her Blue Kentucky Girl album of 1979 and then took them on the road with her as an opening act.
The early part of the 1980s brought The Whites - by then renamed to reflect their family ties - to national prominence as their simple, traditionally-rooted yet dynamic sound put them on Billboard's country charts with a succession of Top 20 hits. Favorites like their first Top 10, "You Put The Blue In Me," as well as "Hangin' Around," "Give Me Back That Old Familiar Feeling," and "Pins And Needles," - the latter all produced by Sharon's husband, Ricky Skaggs (the two married in 1981) - introduced them to new audiences, culminating in the induction as members of the Grand Ole Opry in 1984.
Since then, The Whites have entertained and inspired literally millions of listeners at thousands of personal appearances with their unique sound. Time has also brought renewed attention to Buck White's mandolin playing; as bluegrass historian Neil V. Rosenberg recently said, "insiders have long known of his prowess," and with his appearance on Bluegrass Mandolin Extravaganza, released in 1999, a wider audience has been introduced to his masterful style and compositions.
Their first release for Skaggs Family Records, A Lifetime in the Making, (produced by one of their former sidemen, the legendary Jerry Douglas) proves once again The Whites are among the top ranks of artists able to combine a respect for - and mastery of - traditional country and bluegrass. "We're always falling between the cracks when it comes to styles, but that's just the way our music is. We have dobro, fiddle, and mandolin on this album, as well as some piano. It has the same kind of feel as those singles we made back in the early 1980s, but it's as bluegrass as anything The Whites ever did." Released in the fall of 2000, A Lifetime in the Making received substantial critical acclaim, winning an INDIE Award for 'Best Country Album' (2001), as well as a Golden Voice Award at CMA Music Festival's third annual awards show in Nashville.
In 2001, acoustic music blasted onto the mainstream with the smash hit movie and soundtrack, O Brother Where Art Thou? Buck and the girls were hand selected among bluegrass music's finest to participate in the soundtrack and appear in the film. The Whites were recognized at the International Bluegrass Music Association's (IBMA) Awards Show in 2001, where they won two awards including the well-respected 'Album of the Year' honor. In November of 2001, The Whites were recognized at the 35th Annual Country Music Association (CMA) Awards in the highly esteemed 'Album of the Year' category. Their involvement in the film and soundtrack brought further acclaim the following year, including the highest industry honor achievable - a GRAMMY Award - in the revered 'Album of the Year' category; as well as the 'Album of the Year' nod from the Academy of Country Music (ACM). Along with all the industry accolades, The Whites made numerous appearances in promotion of O Brother, including their involvement in the first 18-city 'Down from the Mountain' tour, a stop at David Letterman's "Late Show" with fellow O Brother artist, Dr. Ralph Stanley, and a featured spot on the follow up tours - the 40 plus city 'Down from the Mountain' summer tour in 2002 and the 'Great High Mountain' tour in the summer of 2004.
In 2007, after years of blending their voices from the living room to the stage, The Whites teamed up with Ricky Skaggs on Salt of the Earth, their first collaborative effort, which earned them a Grammy Award for Best Southern, Country, or Bluegrass Gospel Album and a Dove Award for Bluegrass Recorded Album of the Year. Buck, Sharon, Cheryl, and Ricky share lead vocals with Skaggs' award winning band Kentucky Thunder laying the foundation for their tight family harmony. Traditional hymns, a few familiar favorites, and brand new treasures flow throughout the album providing an intimate look into the heart of one of music's most beloved families.
In 2008, proud Texans Buck, Sharon, and Cheryl received the ultimate honor from their home state with their induction into the Texas Country Music Hall of Fame. For those who have heard The Whites before, that's good news indeed - and for those who haven't, it will be an exciting introduction to a rich, yet comfortable musical world. They may not use the name anymore, but Buck, Sharon, and Cheryl White are still creating music that's as good and as real as everything conjured up by the phrase "down home folks."
Kirksville MO | Country
The NEW Queen of Bluegrass. Rhonda Lea Vincent (b. July 13, 1962, Kirksville, Missouri) is a bluegrass singer, songwriter, mandolin player, guitarist, and fiddle player. Her musical career started as a child in her family's band, The Sally Mountain Show, and has spanned almost four decades. She achieved success in the bluegrass genre in the 1970s and '80s, earning the respect of her mostly male peers for her mastery of the progressive chord structures and multi-range, fast paced vocals intrinsic to bluegrass music.
Gleason TN | Country
Mike Snider, (born May 5, 1961), is an American bluegrass banjo player and humorist. He learned to play banjo at the age of 16. Although he is well known for irreverent humor, he is a well respected banjo player. Much of his comedy is based on stories about his wife, Sabrina, referred to as Sweetie.
Nashville TN |
I'm Morgan Frazier. I love Country Music and I've been singing and writing songs ever sense I can remember. I grew up in small town Texas. About 3,000 people or so. We sang in my church. Being Church of Christ, we didn't use instruments - so I learned to harmonize. I grew up on Country music. Artists like Patsy Cline, Loretta Lynn, Hank Sr, Buck Owens, Johnny Cash, Hank Snow ... Folks like that. But I also listened to the music that my dad loved - AC/DC, CCR, Pink Floyd, Led Zeppelin. A pretty wide spread of music I think. And maybe that's why to me a good song is ... well ... a good song!
Jimmy C. Newman
TN | Country
The legendary Jimmy C. Newman is an absolute pioneer in Cajun-Country music history! He charted 33 songs on the Billboard Country Chart from 1954-1970. A Grand Ole Opry member since 1956, Jimmy C. and wife Mae continue to make their home on their Singing Hills Ranch in Rutherford County, Tennessee, just outside of Nashville.