Marty Stuart w/Sleepy Man Banjo Boys, Connie Smith, Bill Anderson, Jan Howard, Jimmy C. Newman, Darryl Worley, Riders In the Sky, Amanda Shires, Restless Heart, John Conlee, Rhonda Vincent & The WhitesCountry
Marty Stuart is a five time GRAMMY-winner, platinum recording artist, Grand Ole Opry star, country music archivist, Southern culture historian, photographer, musician, songwriter, TV show host, charismatic force of nature, and country music fan.
Since starting out singing gospel as a child, Stuart, 54, has spent over four decades celebrating American roots music with a missionary's zeal. His teenage years on tour with bluegrass legend Lester Flatt in the '70s were followed by six years in Johnny Cash's band during the '80s and a chart-topping tenure as a solo artist in the '90s.
The turn of the century saw Stuart looking inward to make deeply felt records paying homage to his love of vintage gospel, his Native American passions, and as always, his core -- foot-stompin', tail-shakin', honky tonkin', rockin' hillbilly music. His latest musical oeuvre is ably supported by the coolest cats in Nashville - his backing band, The Fabulous Superlatives: guitarist Kenny Vaughan, drummer Harry Stinson, and bassist Paul Martin.
Stuart's zest for every conceivable flavor of country music is also seen regularly by TV viewers these days, on RFD-TV's "The Marty Stuart Show", a musical variety show and the number one program on the network.
So, what's next? As musicologist Peter North cites, "Marty Stuart seems wrapped in his destiny at this point in time. Not only as country music's most notable ambassador/caretaker, but as its main archetypical crusader. He has without question evolved into one of the most important roots musicians and visionaries in America."
Sleepy Man Banjo Boys
Lebanon Township NJ | Country
Ten year-old banjo picker Jonny Mizzone along with his brothers Robbie (13) on fiddle, and Tommy (15) on guitar, are The Sleepy Man Banjo Boys. Though their combined age is younger than music's Hip-Hop era, it's the 1950’s music of Flatt & Scruggs & The Stanley Brothers that inspires them. The Sleepy Man Banjo Boys are the result of brotherly-love, and a passion for inspiring others with their God-given musical gifts.
Best known for their YouTube bedroom practice videos, with over 11 million views, this young bluegrass trio has become an overnight sensation, the only such phenomenon in the history of bluegrass music, going back to 1939. Shortly after the videos started going “viral” in early 2011, the phone began to ring: The Ellen DeGeneres Show, Jimmy Kimmel Live, The Tonight Show with Jay Leno were calling, and in summer of 2011 they appeared as musical guests on The Late Show with David Letterman and NBC’s Today Show. In July, the boys were contacted by Fox News to appear on the Mike Huckabee show, and the overwhelming response led to an invitation to appear again the following week - the only musical guests to appear on back-to-back episodes in the history of the show.
The boys have been named official Martin Guitar Ambassadors, made their Grand Ole Opry debut, and performed with banjo legend J.D. Crowe at a bluegrass festival near their home in western rural New Jersey. Last September they released their first album, ’America’s Music’ which, in February 2012, debuted at #8 on Billboard's Bluegrass Album Chart, spending 11 weeks among the top selling bluegrass albums in the country.
Fresh off the sacred stage of the Ryman Auditorium where they kicked off a stirring tribute to the late Earl Scruggs with actor Steve Martin, the Sleepy Man Banjo Boys are pleased to announce the release of their new album, The Farthest Horizon. The album is shipping as a six-panel digipak and includes descriptions of the songs and fun behind-the-scenes album facts.
It is a Nashville legend that Connie's first record, the aching and unforgettable "Once a Day," written by Bill Anderson and recorded on July 16, 1964 when she was just 23, became one of the most celebrated singles in country music history—the first debut single by a female country singer to go to Number One, a position it held for eight weeks. Forty-seven years later it is still the only first single ever to have done that. When Connie sang "Once A Day" in the all-star B-movie musical Second Fiddle to a Steel Guitar the following year, she was introduced on-screen as "The Cinderella of Country Music." "Once A Day," and her stunning rendition of "How Great Thou Art" remain the two most requested songs by her fans to this day. Connie's memorable string of hits would include "You and Your Sweet Love" "If It Ain't Love" "Where Is My Castle?" "Run Away Little Tears" "Just One Time" and "I Never Once Stopped Loving You." The passion for singing and for the songs, and the singular vocal precision in delivering them that marked those standards-to-be are fully on display in this return to recording. "If you add up all the songs on this album," Ms. Smith says, "it would add up to my personality. It's me talking again, after so many years, with a message no different than I've always had. It's just that I love you, and I want that love to come back." It's bound to.
Bill Anderson has been using that philosophy for almost fifty years to capture the attention of millions of country music fans around the world, en route to becoming a member of the Country Music Hall of Fame and one of the most popular, most enduring entertainers of our time.
He’s known, in fact as “Whispering Bill,” a nickname hung on him years ago as a result of his breathy voice and his warm, soft approach to singing a country song. His credentials, however, shout his prominence: One of the most awarded songwriters in the history of country music, a million-selling recording artist many times over, television game show host, network soap opera star, spokesman for a nationwide restaurant chain, and a consummate onstage performer. His back-up group, The Po’ Folks Band, has long been considered one of the finest instrumental and vocal groups in the business.
Lula Grace Johnson (born March 13, 1930), known professionally as Jan Howard, is an American country music singer and Grand Ole Opry star. She attained moderate success as a country female vocalist during the 1960s and early 1970s. Her ex-husband was singer-songwriter Harlan Howard. Howard's biggest hit and signature song is the 1966 country hit, "Evil on Your Mind," which peacked at No. 5 on the Billboard country charts. The song is included in the book, Heartaches By the Number: The 500 Greatest Country Music Singles. In the late 1960s and early 70s, she dueted with Bill Anderson on a number of top 10 hits, including the No. 1 hit, "For Loving You."
Jimmy C. Newman
TN | Country
The legendary Jimmy C. Newman is an absolute pioneer in Cajun-Country music history! He charted 33 songs on the Billboard Country Chart from 1954-1970. A Grand Ole Opry member since 1956, Jimmy C. and wife Mae continue to make their home on their Singing Hills Ranch in Rutherford County, Tennessee, just outside of Nashville.
Darryl Wade Worley was born October 31, 1964 in Memphis, Tennessee to Tommy and Bonnie Worley. His family moved to Pyburn, Tennessee when he was young and he was raised there. His father was a Methodist preacher and his mother sang in the church choir. Worley attended the University of North Alabama and earned a degree in biology and chemistry. He worked in the chemical industry prior to pursuing country music, and wrote for FAME Studios in Muscle Shoals, Alabama. One of his first cuts as a songwriter was a track on Archer/Park's 1994 debut album.
Riders In The Sky
Riders In The Sky are truly exceptional.
By definition, empirical data, and critical acclaim, they stand "hats & shoulders" above the rest of the purveyors of C & W - "Comedy & Western!"
For more than thirty years Riders In The Sky have been keepers of the flame passed on by the Sons of the Pioneers, Gene Autry and Roy Rogers, reviving and revitalizing the genre. And while remaining true to the integrity of Western music, they have themselves become modern-day icons by branding the genre with their own legendary wacky humor and way-out Western wit, and all along encouraging buckaroos and buckarettes to live life "The Cowboy Way!"
Riders In The Sky are exceptional not just in the sense that their music is of superlative standards (they are the ONLY exclusively Western artist to have won a Grammy, and Riders have won two), but by the fact that their accomplishments are an exception to the rule as well. That Riders In The Sky was even formed is a feat of improbable likelihood. What are the odds that a theoretical plasma physicist, a wildlife manager - galvanizer - Life Scout, an English major - shot putter - Bluegrass Boy, and a Polka Hall of Fame member would collectively become "America's Favorite Cowboys?" And even more unlikely is that 30-plus years later, the original members are still "bringing good beef to hungry people" while putting up Ripken-like numbers! The Rolling Stones only made it a few years before replacing Brian Jones; the Sons of the Pioneers constantly changed personnel; even the Ringo-era Beatles only lasted 8 years. (Perhaps Too Slim, as a sophomore writer for the University of Michigan Daily, had an ulterior motive in 1969 by propagating the rumor that Paul McCartney was dead! It's true... go ahead and Google "Paul is dead rumor"...) But the key to keeping the same founding members intact for three decades on the road is more easily explained: "Separate hotel rooms," cracks Ranger Doug!
Riders In The Sky's first official public performance was Nov. 11, 1977, at the erstwhile Nashville nightspot "Phranks & Steins." Taking the stage that night for a crowd of eight or nine (counting Herr Harry behind the bar) were Ranger Doug (Idol of American Youth) on arch-top guitar and baritone vocals, and Too Slim (A Man Aging Like Fine Cheese) on bunkhouse bass, face, and tenor vocals. A chain saw may have been in the mix somewhere that night, but was soon retired. Replacing the chain saw was Woody Paul (King of the Cowboy Fiddlers) on fiddle, tenor vocals and rope tricks, and the launch was successful! They subsequently added the "Stomach Steinway" stylings of Joey the Cowpolka King on accordion and baritone vocals, much to the delight of 'Polkaholics' everywhere.
As a classic cowboy quartet, the trail has led them to heights they could have never predicted. Riders have chalked up over 6100 concert appearances in all 50 states and 10 countries, appearing in venues everywhere from the Nashville National Guard Armory to Carnegie Hall, and from county fairs to the Hollywood Bowl. Their cowboy charisma and comedic flair made them naturals for TV, and landed them their own weekly show on TNN, as well as a Saturday morning series on CBS. They have been guests on countless TV specials, documentaries and variety shows, appearing with everyone from Barney to Penn & Teller. And their animated likenesses have shared the screen with Daffy Duck on the Cartoon Network, and the Disney Channel's Stanley. If you consider their compositional credits, one might call them "Writers In The Sky!" In addition to penning award winning songs for their own albums, they wrote the score for Pixar Animation's 2002 Academy Award-winning short "For the Birds." They composed the theme song for the internet cartoon show "Thomas Timberwolf" by renowned Bugs Bunny creator Chuck Jones. But the animated character that history will most certainly link to Riders In The Sky is the loveable cowboy Woody, as Riders performed "Woody's Round Up" in "Toy Story 2," with the album of the same name garnering Riders their first Grammy Award in 2001 for "Best Musical Album for Children." Two years later, Riders roped their second Grammy in the same category, for "Monsters Inc. - Scream Factory Favorites," the companion CD to Pixar's award winning movie.
Equally as exceptional, but of greater significance, is that in 1982, Riders In The Sky became the first, and to date only, exclusively Western music artist to join the Grand Ol' Opry, the longest running radio show in history, and thus began a love affair with radio as well. In 1988, they recorded comedy skits for the album "Riders Radio Theatre" and launched the long-running international weekly radio show of the same name on public radio. And keeping pace with the ever-changing technological landscape, in 2006 "Ranger Doug's Classic Cowboy Corral" debuted on XM Satellite Radio, still heard weekly on SiriusXM Channel 56.
Exceptional artists also appeal to a diverse and broad-based cross section of their adoring public. Riders In The Sky's music and comedy delights cowboys and cowgirls of all ages, and from all walks of life. Riders are equally at ease amusing a theatre full of children as they are enthralling a symphony audience accompanied by 50 or 60 classically trained instrumentalists, or even an NCO club full of servicemen during a USO Tour. Riders have performed at the White House for both Democratic and Republican administrations, and at Major League Baseball's winter meetings for both American and National Leagues (although with an admitted bias for the Detroit Tigers). With their ability to persuade cowpokes on both sides of the fence to set aside their differences for a brief escape from day-to-day tribulations, is it any wonder that Riders have a virtual home called "Harmony Ranch?"
Ultimately, exceptional careers do not go unnoticed, and throughout theirs, Riders In The Sky have been honored regularly. In addition to being inducted into the Grand Ol' Opry, Riders are in the Western Music Association's Hall of Fame, the Country Music Foundation's Walkway of Stars, and the Walk of Western Stars (in Newhall, CA near Melody Ranch Studios) along with Gene, Roy, John Wayne and other cowboy legends. No less important than their two Grammies, Riders have been the Western Music Associaton's "Entertainers Of the Year" seven times, and won "Traditional Group of the Year" and "Traditional Album of the Year" multiple times. The Academy of Western Artists has named them "Western Music Group of the Year" twice in 5 years, and the National Cowboy & Western Heritage Museum has bestowed Riders with their Wrangler Award statuette three times. It comes as no surprise then that Billboard magazine's Jim Bessman counts them as one of "the most historically significant acts in the history of American music."
Yes, it would be "The Easy Way" to call it a career after 30-plus years, but it wouldn't be..."The Cowboy Way!" And so, the never-ending trail drive continues. The ponies are rested and watered, and America's Favorite Cowboys are ready to saddle up and ride, bringing good beef to hungry people wherever they may be. Yes, Riders In The Sky are truly an exception to the rule.
Lubbock TX | Rock
"Let's not give away what all the songs are about," requests Amanda Shires via email - shortly after an hour-long interview discussing exactly that. "I think I prefer for the listener to decide for themselves what stuff means, because I always hate it when I think a song is about a horse, and then it turns out to be a damn trip to France ..."
And so, by artist request, there will be no handy track-by-track cheat sheet for Shires' new Carrying Lightning. But if you really can't deduce what the songs are all about on your own, then consider yourself equally blessed and cursed, because odds are you've never been knocked on your ass by the wrecking ball of human desire - the kind so lovingly bottled by the young Texas songwriter in the album-opening "Swimmer, Dreams Don't Keep":
"April was the last time I think I saw you
You were carrying lightning
The way you walked into the room,
If I was a flower I would've opened up and bloomed
I say I don't care, but I'm a liar
Look how easy a heart can catch on fire..."
That same charge of romantic/erotic tension courses throughout the entire album, which sways from innocent daydream ("Swimmer") to restless longing ("Love Be a Bird") to explosive lust ("Shake the Walls") to blissful contentment ("Sloe Gin") and, finally, back to wistful fantasy ("Lovesick I Remain"). The specific, behind-the-scenes details - such as who or what inspired each particular song, or to what extent each stems from Shires' own life vs. her sheer imagination - need not be divulged or even probed, because, as the mysterious little messenger in "Ghost Bird," "all feathers and a heartbeat," puts it best, "Baby, we're all running from the same things: broken hearts, broken homes, the tired and the loneliness ..."
"I guess the theme of the record as a whole is just, 'get wrecked in love - and be loved," says Shires. "Or, to steal a quote from Sylvia Plath: 'Wear your heart on your skin in this life.' That's my platform."
The quote may be borrowed, and the emotional terrain of the songs universally relatable, but Shires' voice is distinctly her own. Her Texas twang and fetching vibrato ("less goat, more note!" she teases herself with a laugh) can dance playfully around a melody or haunt a line like a mournful ghost, and she deftly employs her fiddle/violin, ukulele and even whistling skills to similar effect. The resulting sound is a beautiful but woozily surrealistic swoon - as well befits an artist who cites Leonard Cohen and alt-country dark horse Richard Buckner as two of her biggest musical influences. Or, as a review in Americana UK once observed: "At times, her energetic, jittery vocals and eccentric lyrical subjects mark her out as a young female heir to the godfather of strange, Tom Waits. In her more conventional moments, Shires sounds like the weird young niece of Dolly Parton."
In fact, Shires is just a down-to-earth, self-effacing West Texas gal currently residing in Nashville, working her tail off trying to find her niche in the music industry as an independent artist. In the recent Hollywood movie Country Strong, she played the fiddle player in the band backing Gwyneth Paltrow's fictional country superstar. In real life, Shires runs with a decidedly more left-of-mainstream-type crowd, including Jason Isbell (she sings and plays fiddle on the former Drive-By Trucker's latest, Here We Rest) and Justin Townes Earle (she's the lovely model gracing the cover of his 2008 debut, The Good Life). She also maintains strong ties to the Lone Star State, recording and occasionally performing with the Lubbock band Thrift Store Cowboys (which she joined while still in college) and sometimes even teaching fiddle at Texas Playboys' singer Tommy Allsup's summer music camp. She was only 15 the first time she played onstage with the Playboys (the Western swing band made famous by the late Bob Wills) - a mere five years after she coerced her father into buying her first fiddle, a lime-green Chinese instrument from a pawn shop in dusty downtown Mineral Wells, Texas.
In 2005, while still a regular member of the Thrift Store Cowboys, Shires released her solo debut, a mostly instrumental showcase for her traditional fiddle chops called Being Brave. But the fertile Texas music scene was overripe with side-person work for the talented young player and backup singer - so much so that Shires feared sliding into a complacency that, left unchecked, threatened to stunt her growth as a songwriter. So she relocated to Nashville - "to get uncomfortable and make myself grow some guts," as she put it once - and dived headlong into the process of writing and recording the first two albums to really put her on the roots-music map: 2008's Sew Your Heart with Wires, a collection of duets co-written and recorded with singer-songwriter Rod Picott; and what Shires calls her "true" solo debut, 2009's West Cross Timbers. Both were met with enthusiastic reviews and radio support, with the former being voted the fourth best debut album of 2008 by FAR (Freeform American Roots) Chart reporters and the later reaching No. 21 on the Americana Music Association Chart. The Gibson Guitar company featured Shires on their website as one of 2009's breakout artists, and No Depression called West Cross Timbers one of the 50 best releases of the year.
Shires was eager to get right back into the studio, but a busy touring schedule - averaging 120-160 dates a year, including at least one or two annual trips to Europe - necessitated that the follow-up to West Cross Timbers, be recorded piecemeal. "We did it over the course of 16 months in multiple sessions, just coming back and forth home to Nashville between tours," she says of Carrying Lightning, which she co-produced with Picott and David Henry at Henry's True Tone Studios. Fortunately, although it was hard to find time to lay down tracks, writer's block was never an issue for her.
"Some people only write when they're at home, but I just write, whenever or however I can," Shires says. "We ended up recording 20-something songs for the album, and the hardest part was trying to decide which ones to use. But having the whole process take so long is what ultimately helped give the record its shape and focus. I was really able to think about which songs fit together the best, as opposed to just, 'I'm going into the studio to make a record, and in two weeks I'll be done.' I had a lot of time to sleep on this one."
In fact, even now that the record's mastered, pressed and ready for release, Shires still isn't quite finished with it. Taking full advantage of the DIY promotional opportunities afforded by the age of social media, she plans to film videos for every song on the album, with "When You Need a Train It Never Comes" and "Lovesick I Remain" already uploaded to YouTube and more on the way. "We just shot one for 'Shake the Walls' today, and 'Ghostbird' will be next," she says. "I want 'Ghostbird' to be animated."
What's more, she's still haunted by some of the songs that didn't make the Carrying Lightning cut - if only because they didn't quite fit the theme of the rest of the record. Some of these she hopes to release before year's end as a separate EP.
"They were just too dark and would have seemed too random, I guess," she says of the orphan tunes. How dark? One of them apparently involved a girl getting her skin sliced off.
"Actually, that one was kind of a love song," she admits with a sheepish chuckle. "Maybe I should have left that one on the record!"
"Godfather" Waits would be proud.
The harmonies are pure silver, polished to a high sheen. And, as easily as silver conducts electricity, their music has electrified audiences around the world. Legendary country music group, Restless Heart, is celebrating over 25 years of perfecting the art of entertaining.
Larry Stewart - lead vocals, guitar
Dave Innis - keyboards, vocals
John Dittrich - drums, vocals
Greg Jennings - lead guitar, vocals
Paul Gregg - bass, vocals
Fort Worth TX | Country
One of the most respected vocalists to emerge during the urban cowboy era, John Conlee was known for his superb taste in material and his distinctively melancholy voice. Conlee was born and raised on a tobacco farm in Versailles, KY, in 1946, and took up the guitar as a child, performing on local radio at age ten. He went on to sing with the town barbershop chorus, but didn't initially pursue music as a career, instead becoming a licensed mortician. He also worked as a disc jockey at numerous area radio stations, and made important industry connections via that area when he moved to Nashville in 1971. Five years later, Conlee's demo tape got him a contract with ABC. He released a few singles, but didn't find acceptance until 1978's "Rose Colored Glasses," a song he'd co-written with a newsman at his radio station, rocketed into the country Top Five. Conlee spent the next decade or so scoring hit after hit, nearly all of them helmed by producer Bud Logan. He had two number ones in 1979 alone -- "Lady Lay Down" and "Backside of Thirty" -- and four number two hits through 1981, which included "Before My Time," "Friday Night Blues," "She Can't Say That Anymore," and "Miss Emily's Picture." Conlee returned to the top of the charts three times over 1983-1984 with "Common Man," "I'm Only in It for the Love," and "In My Eyes," and had his last number one in 1986 with "Got My Heart Set on You." All told, Conlee made the Top Ten 19 times through 1987, when he moved from MCA to Columbia and reached the Top Five with "Domestic Life." Never much for touring, Conlee subsequently curtailed his recording activities as well, instead devoting his time to charity work (often on behalf of American farmers), raising his family, and running his own farm outside Nashville.
Famously crowned as "The New Queen of Bluegrass" by the Wall Street Journal, and the most decorated artist in that field. Vincent's music incorporates savvy contemporary touches while drawing deeply from the authentic traditions of classic bluegrass, with a flawless band that can execute break-neck instrumentals to heart wrenching ballads. Her latest project "Taken" features special guests ranging from Dolly Parton to Richard Marx. With over eighty awards to their name, Rhonda Vincent and the Rage are the most celebrated band in bluegrass.
"There's nothing like playing music to bring a family together," says Sharon White, but that's not exactly right; over 30 years have shown that the music of The Whites - sisters, Sharon and Cheryl, and father Buck - has just as much power to bring audiences together in a feeling that resembles that of one giant, extended family.
The story of The Whites begins in Texas, when a young Buck White started his musical career not long after the end of World War II, working the dance halls and radio shows in a succession of bands. Honky-tonk music called for the piano and the bluegrass mandolin, and so he became proficient on both, absorbing the many varieties of Texas country and blues to fashion his own distinctive style - one that kept him in steady demand as a sideman throughout the 1950s. In 1961, tired of the rough-and-tumble life of a honky-tonk musician and wanting to raise his family in a more wholesome environment, White moved to Arkansas. Yet within a matter of months, he and wife Pat were once again making music, forming a band with another couple that eventually called themselves the Down Home Folks. As Sharon and Cheryl grew, they, too, were drawn to music ("Mama said I could carry a tune before I could talk," Sharon recalls.) at first forming the Down Home Kids with the children of other Down Home Folks members in the mid-1960s, then moving up to join their parents in a growing number of bluegrass festival appearances.
The first big turning point for the Whites came in 1971, when a successful trip to Bill Monroe's Bean Blossom festival convinced the family that the time was right to move to Nashville and pursue a more serious music career. Though Pat retired from the band in 1973, the move paid off as Buck White and the Down Home Folks began their recording career, featuring the striking family harmonies and top-notch instrumental work that has characterized their music ever since. The remainder of the decade saw them make a steady ascent in the world of bluegrass, recording five acclaimed albums for various labels and working a busy touring schedule, even as they gained a toehold in the country music field thanks to their powerful vocals and broad repertoire. The former, in particular, attracted the attention of Emmylou Harris, who brought them in to sing on her Blue Kentucky Girl album of 1979 and then took them on the road with her as an opening act.
The early part of the 1980s brought The Whites - by then renamed to reflect their family ties - to national prominence as their simple, traditionally-rooted yet dynamic sound put them on Billboard's country charts with a succession of Top 20 hits. Favorites like their first Top 10, "You Put The Blue In Me," as well as "Hangin' Around," "Give Me Back That Old Familiar Feeling," and "Pins And Needles," - the latter all produced by Sharon's husband, Ricky Skaggs (the two married in 1981) - introduced them to new audiences, culminating in the induction as members of the Grand Ole Opry in 1984.
Since then, The Whites have entertained and inspired literally millions of listeners at thousands of personal appearances with their unique sound. Time has also brought renewed attention to Buck White's mandolin playing; as bluegrass historian Neil V. Rosenberg recently said, "insiders have long known of his prowess," and with his appearance on Bluegrass Mandolin Extravaganza, released in 1999, a wider audience has been introduced to his masterful style and compositions.
Their first release for Skaggs Family Records, A Lifetime in the Making, (produced by one of their former sidemen, the legendary Jerry Douglas) proves once again The Whites are among the top ranks of artists able to combine a respect for - and mastery of - traditional country and bluegrass. "We're always falling between the cracks when it comes to styles, but that's just the way our music is. We have dobro, fiddle, and mandolin on this album, as well as some piano. It has the same kind of feel as those singles we made back in the early 1980s, but it's as bluegrass as anything The Whites ever did." Released in the fall of 2000, A Lifetime in the Making received substantial critical acclaim, winning an INDIE Award for 'Best Country Album' (2001), as well as a Golden Voice Award at CMA Music Festival's third annual awards show in Nashville.
In 2001, acoustic music blasted onto the mainstream with the smash hit movie and soundtrack, O Brother Where Art Thou? Buck and the girls were hand selected among bluegrass music's finest to participate in the soundtrack and appear in the film. The Whites were recognized at the International Bluegrass Music Association's (IBMA) Awards Show in 2001, where they won two awards including the well-respected 'Album of the Year' honor. In November of 2001, The Whites were recognized at the 35th Annual Country Music Association (CMA) Awards in the highly esteemed 'Album of the Year' category. Their involvement in the film and soundtrack brought further acclaim the following year, including the highest industry honor achievable - a GRAMMY Award - in the revered 'Album of the Year' category; as well as the 'Album of the Year' nod from the Academy of Country Music (ACM). Along with all the industry accolades, The Whites made numerous appearances in promotion of O Brother, including their involvement in the first 18-city 'Down from the Mountain' tour, a stop at David Letterman's "Late Show" with fellow O Brother artist, Dr. Ralph Stanley, and a featured spot on the follow up tours - the 40 plus city 'Down from the Mountain' summer tour in 2002 and the 'Great High Mountain' tour in the summer of 2004.
In 2007, after years of blending their voices from the living room to the stage, The Whites teamed up with Ricky Skaggs on Salt of the Earth, their first collaborative effort, which earned them a Grammy Award for Best Southern, Country, or Bluegrass Gospel Album and a Dove Award for Bluegrass Recorded Album of the Year. Buck, Sharon, Cheryl, and Ricky share lead vocals with Skaggs' award winning band Kentucky Thunder laying the foundation for their tight family harmony. Traditional hymns, a few familiar favorites, and brand new treasures flow throughout the album providing an intimate look into the heart of one of music's most beloved families.
In 2008, proud Texans Buck, Sharon, and Cheryl received the ultimate honor from their home state with their induction into the Texas Country Music Hall of Fame. For those who have heard The Whites before, that's good news indeed - and for those who haven't, it will be an exciting introduction to a rich, yet comfortable musical world. They may not use the name anymore, but Buck, Sharon, and Cheryl White are still creating music that's as good and as real as everything conjured up by the phrase "down home folks."