Music City Tents and Events Presents
Benefiting the Montessori School of Franklin
Thu. 3/14/13
Show: 7:00 PM
$40.00 - $125.00
18 and over
[Venue Details][Hide Details]
Artist Bio:
Everyone knows Better Than Ezra. They're the million-selling band with hits like "Good" and "A Lifetime" that sells out venues coast to coast and enjoys a legion of fans so faithful they've dubbed themselves the Ezralites. So, what's the story behind that name? "We have never revealed it, even under duress," says front man Kevin Griffin. "We just said, 'Why don't we just keep it a secret, and that will be our one little publicity stunt.' As a result, there's a couple of books out there about the origin of band names. U2 or Rolling Stones will have a paragraph dedicated to them, and then there's like a page and a half on the origins of Better Than Ezra, which is just hilarious." While the band name remains a well-kept secret for now, the seemingly mysterious title of Better Than Ezra's latest project, Paper Empire, speaks right to the heart of a world asking a lot of questions and ultimately discovering the things worth holding onto.
Artist info obtained from public profile, artist website or social media
Everyone knows Better Than Ezra. They're the million-selling band with hits like "Good" and "A Lifetime" that sells out venues coast to coast and enjoys a legion of fans so faithful they've dubbed themselves the Ezralites. So, what's the story behind that name? "We have never revealed it, even under duress," says front man Kevin Griffin. "We just said, 'Why don't we just keep it a secret, and that will be our one little publicity stunt.' As a result, there's a couple of books out there about the origin of band names. U2 or Rolling Stones will have a paragraph dedicated to them, and then there's like a page and a half on the origins of Better Than Ezra, which is just hilarious." While the band name remains a well-kept secret for now, the seemingly mysterious title of Better Than Ezra's latest project, Paper Empire, speaks right to the heart of a world asking a lot of questions and ultimately discovering the things worth holding onto.
Artist info obtained from public profile, artist website or social media
Artist Bio:
Though millions already appreciate former Tonic frontman Emerson Hart’s poignant lyrics, smart songcraft and evocative voice, Hart’s debut album, Cigarettes & Gasoline, will be released on July 17th 2007 on EMI/ Manhattan Records. The first single “If You’re Gonna Leave” from the album marks Hart’s return to mainstream radio debuting at 37 on the Hot AC chart on May 27, 2007. The 12-song debut disc was recorded in New Orleans and in his current hometown, Nashville, with producers Bob Rock (Metallica, Bon Jovi), who produced the final, Grammy-nominated Tonic record; Grammy-winner Jason Lehning (Guster, Steve Forbert), and Mike Napolitano (Squirrel Nut Zippers, Joseph Arthur). As lead singer for alt-rock radio and concert favorites Tonic, Hart enjoyed platinum sales, chart topping singles and albums--including the 1 hit “If You Could Only See”--and two Grammy nominations in 2003.
Cigarettes and Gasoline marks the culmination of a journey that began when Hart, who moved to Los Angeles and co-founded Tonic in the mid-’90s, relocated to Nashville in 2002. In the Music City, with a refreshed perspective and introspection, Hart wrote for himself and outside projects, including the song “Generations,” the theme for TV’s American Dreams, the tune earning Hart the 2003 ASCAP Award for film and TV. For Hart, Cigarettes and Gasoline is an album that had to be made, going solo a leap of faith that was crucial in order for Hart to be true to his art. Hart’s forthcoming solo release continues his relationship with television as both ABC’s Grey’s Anatomy and WC’s One Tree Hill have already featured music from the upcoming album.
Emerson Hart has been a familiar voice at modern rock radio for nearly a decade. Tonic’s first release, Lemon Parade quickly became a mainstream success - selling multi-platinum and scoring enormous radio success with the hit songs, "Open Up Your Eyes" and "If You Could Only See" (penned solely by Hart) which became radio’s most played Rock Song in 1997. In 1999, Tonic returned with their 2nd album and the 3 Mainstream Rock hit “You Wanted More.” In 2002, Tonic released their 3rd LP, Head On Straight including the modern rock radio smash "Take Me As I Am." In 2003 Tonic received two Grammy nominations - one for best Rock Performance By Duo or Group With Vocal for "Take Me As I Am" and the second for Best Rock Album. Hart also co-wrote the 2005 Ingram Hill hit “Almost Perfect” which reached top 25 on the Hot AC chart.
Artist info obtained from public profile, artist website or social media
Though millions already appreciate former Tonic frontman Emerson Hart’s poignant lyrics, smart songcraft and evocative voice, Hart’s debut album, Cigarettes & Gasoline, will be released on July 17th 2007 on EMI/ Manhattan Records. The first single “If You’re Gonna Leave” from the album marks Hart’s return to mainstream radio debuting at 37 on the Hot AC chart on May 27, 2007. The 12-song debut disc was recorded in New Orleans and in his current hometown, Nashville, with producers Bob Rock (Metallica, Bon Jovi), who produced the final, Grammy-nominated Tonic record; Grammy-winner Jason Lehning (Guster, Steve Forbert), and Mike Napolitano (Squirrel Nut Zippers, Joseph Arthur). As lead singer for alt-rock radio and concert favorites Tonic, Hart enjoyed platinum sales, chart topping singles and albums--including the 1 hit “If You Could Only See”--and two Grammy nominations in 2003.
Cigarettes and Gasoline marks the culmination of a journey that began when Hart, who moved to Los Angeles and co-founded Tonic in the mid-’90s, relocated to Nashville in 2002. In the Music City, with a refreshed perspective and introspection, Hart wrote for himself and outside projects, including the song “Generations,” the theme for TV’s American Dreams, the tune earning Hart the 2003 ASCAP Award for film and TV. For Hart, Cigarettes and Gasoline is an album that had to be made, going solo a leap of faith that was crucial in order for Hart to be true to his art. Hart’s forthcoming solo release continues his relationship with television as both ABC’s Grey’s Anatomy and WC’s One Tree Hill have already featured music from the upcoming album.
Emerson Hart has been a familiar voice at modern rock radio for nearly a decade. Tonic’s first release, Lemon Parade quickly became a mainstream success - selling multi-platinum and scoring enormous radio success with the hit songs, "Open Up Your Eyes" and "If You Could Only See" (penned solely by Hart) which became radio’s most played Rock Song in 1997. In 1999, Tonic returned with their 2nd album and the 3 Mainstream Rock hit “You Wanted More.” In 2002, Tonic released their 3rd LP, Head On Straight including the modern rock radio smash "Take Me As I Am." In 2003 Tonic received two Grammy nominations - one for best Rock Performance By Duo or Group With Vocal for "Take Me As I Am" and the second for Best Rock Album. Hart also co-wrote the 2005 Ingram Hill hit “Almost Perfect” which reached top 25 on the Hot AC chart.
Artist info obtained from public profile, artist website or social media
Artist Bio:
Over the last few years, David Cook’s life has been punctuated by extraordinary highs and devastating lows. In short order, the 28-year-old singer, songwriter, and musician won the seventh season of America’s most popular television show, American Idol, rewrote chart history with a record-breaking 14 debuts on Billboard’s Digital Songs chart, released his self-titled major-label debut album in November 2008, watched it debut at No. 3 on the Billboard album chart, spawn two Top 20 singles (the platinum “Light On” and “Come Back To Me”), and sell more than a million copies, reaching platinum status. He immediately hit the road for his year-long “Declaration Tour” to support it. In May of that year, Cook’s older brother, Adam, who had been fighting a battle with brain cancer, died of the disease. In December 2009, one day after the tour ended, Cook traveled to New York City to begin writing the songs that would become his second album, This Loud Morning.
“I got off the road and all the things that happened that I hadn’t been dealing with while I was on the road reared their head,” Cook says. “So as I began writing these songs that would eventually make up This Loud Morning, the act of using these songs as therapeutic outlets became a major release for me, and I think the end result is a bit of up, a bit of down, and a lot of honesty.”
The result is a batch of deeply honest, emotional songs that “allow whomever’s listening to look through a window at the past two years of my life,” the Texas-born, Missouri-raised Cook says. “It’s probably the most therapeutic album I’ve ever written.” As Cook was writing the songs, a theme began to emerge. “There were mornings where I woke up and all I wanted to do was pull the blanket back over my head and try again tomorrow,” Cook says. That feeling inspired the album’s opening track, “Circadian,” as well as its closing track, “Rapid Eye Movement,” which includes a line from which the album’s title is taken: “Give me one more quiet night before this loud morning gets it right and does me in.” “I think everyone’s been at that point where they just feel, ’Man, the world is loud,’ Cook says. “The only reprieve you get is when you’re asleep. I wanted to blend that feeling with the romantic idea that you can live your entire life during the hours you’re asleep — that there’s this pause button you can use to make sense of the world around you.”
To that end, the album kicks off with the sleep-as-reprieve-themed “Circadian” before telling a story of a relationship from start to finish, launching into several songs about strong relationship bonds, like “Right Here With You,” “Fade Into Me,” and “Take Me As I Am,” before things begin to deteriorate on “Goodbye To The Girl” and first single “The Last Goodbye,” which Cook co-wrote with OneRepublic’s Ryan Tedder and which is the most musically upbeat song on the album. “I’ve always loved songs that melodically put a smile on your face, but when you tune in to the lyrics, it’s like, ’What the hell?’” Cook says. “Like ’Every Breath You Take’ by The Police; that song is so catchy, but the lyrics kinda give off this dark vibe. I like the idea of taking something that throws people off and writing about it in a way that makes them want to embrace it.”
Which is to say that just because This Loud Morning deals with some heavy themes doesn’t mean the album is a downer. “It’s actually more musically up-tempo than any of my previous albums,” Cook says. “I felt like we created a decent base with the last record (2008's David Cook) about where my heart was at musically. I've always enjoyed big sweeping choruses, stuff that kind of kicks you in the chest and knocks the wind out of you a bit. So with this album, I wanted to take that ideal and expand upon it — make the bigs a bit bigger and the smalls a bit smaller. I wanted it to be more intimate, but also more grandiose, and really stretch the boundaries of those two ideals.”
A showcase for Cook’s rich, unfettered rock belt and passionately intense performances, This Loud Morning was produced by Matt Serletic, who has worked with Aerosmith, Rob Thomas, and Willie Nelson, among others. “Matt pulled things out of me that I certainly wouldn’t have gone for on my own,” Cook says. “He is all about the right sounds at the right time for the right reasons, and I think what I learned from him is that it’s not always an easy road to get the right thing. His ability to expand upon the ideas that I brought to the table really made this record what it is.”
Cook’s growth as a singer, songwriter, and musician can be heard in every facet of This Loud Morning. “I feel that we were able to find the perfect landscape for these songs,” Cook says. “Each one is its own living, breathing thing. I've always approached making records the same way I've approached putting a band together: I'm not concerned with the best songs or the best musicians. I'm concerned with the right songs and the right musicians. My focus is to make great records and having something real and truthful to write about really helped. I feel like the growth in this record is musical, it’s lyrical, it's emotional, and that what I've hit on is something that a lot of people can relate to.”
Having been a musician and performer since he was a teenager, Cook (who first picked up a guitar at age 12 and formed his first band at 15) is eager to hit the road to support This Loud Morning. “The last record took four and a half months from first day of writing to finished product,” Cook says. “So to go from that to taking a year and a half? I'm ready to play this record for people. I can’t wait to get on a stage, look people in the eye, and see their reaction, whatever it may be. Hopefully it’ll be hands in the air and singing all the words.”
Artist info obtained from public profile, artist website or social media
Over the last few years, David Cook’s life has been punctuated by extraordinary highs and devastating lows. In short order, the 28-year-old singer, songwriter, and musician won the seventh season of America’s most popular television show, American Idol, rewrote chart history with a record-breaking 14 debuts on Billboard’s Digital Songs chart, released his self-titled major-label debut album in November 2008, watched it debut at No. 3 on the Billboard album chart, spawn two Top 20 singles (the platinum “Light On” and “Come Back To Me”), and sell more than a million copies, reaching platinum status. He immediately hit the road for his year-long “Declaration Tour” to support it. In May of that year, Cook’s older brother, Adam, who had been fighting a battle with brain cancer, died of the disease. In December 2009, one day after the tour ended, Cook traveled to New York City to begin writing the songs that would become his second album, This Loud Morning.
“I got off the road and all the things that happened that I hadn’t been dealing with while I was on the road reared their head,” Cook says. “So as I began writing these songs that would eventually make up This Loud Morning, the act of using these songs as therapeutic outlets became a major release for me, and I think the end result is a bit of up, a bit of down, and a lot of honesty.”
The result is a batch of deeply honest, emotional songs that “allow whomever’s listening to look through a window at the past two years of my life,” the Texas-born, Missouri-raised Cook says. “It’s probably the most therapeutic album I’ve ever written.” As Cook was writing the songs, a theme began to emerge. “There were mornings where I woke up and all I wanted to do was pull the blanket back over my head and try again tomorrow,” Cook says. That feeling inspired the album’s opening track, “Circadian,” as well as its closing track, “Rapid Eye Movement,” which includes a line from which the album’s title is taken: “Give me one more quiet night before this loud morning gets it right and does me in.” “I think everyone’s been at that point where they just feel, ’Man, the world is loud,’ Cook says. “The only reprieve you get is when you’re asleep. I wanted to blend that feeling with the romantic idea that you can live your entire life during the hours you’re asleep — that there’s this pause button you can use to make sense of the world around you.”
To that end, the album kicks off with the sleep-as-reprieve-themed “Circadian” before telling a story of a relationship from start to finish, launching into several songs about strong relationship bonds, like “Right Here With You,” “Fade Into Me,” and “Take Me As I Am,” before things begin to deteriorate on “Goodbye To The Girl” and first single “The Last Goodbye,” which Cook co-wrote with OneRepublic’s Ryan Tedder and which is the most musically upbeat song on the album. “I’ve always loved songs that melodically put a smile on your face, but when you tune in to the lyrics, it’s like, ’What the hell?’” Cook says. “Like ’Every Breath You Take’ by The Police; that song is so catchy, but the lyrics kinda give off this dark vibe. I like the idea of taking something that throws people off and writing about it in a way that makes them want to embrace it.”
Which is to say that just because This Loud Morning deals with some heavy themes doesn’t mean the album is a downer. “It’s actually more musically up-tempo than any of my previous albums,” Cook says. “I felt like we created a decent base with the last record (2008's David Cook) about where my heart was at musically. I've always enjoyed big sweeping choruses, stuff that kind of kicks you in the chest and knocks the wind out of you a bit. So with this album, I wanted to take that ideal and expand upon it — make the bigs a bit bigger and the smalls a bit smaller. I wanted it to be more intimate, but also more grandiose, and really stretch the boundaries of those two ideals.”
A showcase for Cook’s rich, unfettered rock belt and passionately intense performances, This Loud Morning was produced by Matt Serletic, who has worked with Aerosmith, Rob Thomas, and Willie Nelson, among others. “Matt pulled things out of me that I certainly wouldn’t have gone for on my own,” Cook says. “He is all about the right sounds at the right time for the right reasons, and I think what I learned from him is that it’s not always an easy road to get the right thing. His ability to expand upon the ideas that I brought to the table really made this record what it is.”
Cook’s growth as a singer, songwriter, and musician can be heard in every facet of This Loud Morning. “I feel that we were able to find the perfect landscape for these songs,” Cook says. “Each one is its own living, breathing thing. I've always approached making records the same way I've approached putting a band together: I'm not concerned with the best songs or the best musicians. I'm concerned with the right songs and the right musicians. My focus is to make great records and having something real and truthful to write about really helped. I feel like the growth in this record is musical, it’s lyrical, it's emotional, and that what I've hit on is something that a lot of people can relate to.”
Having been a musician and performer since he was a teenager, Cook (who first picked up a guitar at age 12 and formed his first band at 15) is eager to hit the road to support This Loud Morning. “The last record took four and a half months from first day of writing to finished product,” Cook says. “So to go from that to taking a year and a half? I'm ready to play this record for people. I can’t wait to get on a stage, look people in the eye, and see their reaction, whatever it may be. Hopefully it’ll be hands in the air and singing all the words.”
Artist info obtained from public profile, artist website or social media
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