Gene Watson, Mandy Barnett, Larry Gatlin, The Grascals, The Whites, Jan Howard, Bill Anderson, Kim Richey, Mike Snider, Jean Shepard, John Conlee, Jim Ed Brown, Chuck Wicks, & Jeannie SeelyCountry
Paris TX | Country
It is difficult to imagine the world of country music without the vast contribution that Gene Watson has made to it. Between his major label debut on Capitol Records in 1975 and the present day, Gene Watson has excelled with his traditional slant within country music.
Gene Watson is a singer in country music's grand tradition & has the skill to give powerful vocal performances and draw all the emotion from his selected material effortlessly. Gene has remained true to his Texas music roots for the best part of 30 years & is a standard bearer for honest, traditional country music.
Following years of honing his country music craft around Texas, Gene emerged on the American country music scene in July 1975. He immediately earned himself a reputation as one of the best of the new 'real country' singers to emerge on the scene and for adhering to a traditional country sound, characterised by prominent steel guitar and swirling fiddle.
Gary Gene Watson never intended becoming a professional singer within the country music genre. Apparently, he didn't go searching for music - music found him. For those of us who love traditional country music, we have a lot to be thankful to Gene Watson for.
When you consider the vast catalogue of classic country songs that he has recorded since the late 1960s, his absence from the country music world would have left a gaping hole. Of course, other artists could have recorded these tracks, but not with the same passion, emotion & genuine feeling that Gene Watson has brought to them.
Mandy Barnett, a native of Crossville, Tennessee, started singing at five years-old. She has been singing since.
As a teenager, Mandy starred as country music legend Patsy Cline in the stage show “Always . . . Patsy Cline” at the celebrated Ryman Auditorium in Nashville, Tennessee. The performances were sold out nightly and received rave reviews across the country. Mandy, in role as Patsy, appears on the Decca Records cast recording.
Mandy soon signed with Asylum Records where she released her first album as herself, appropriately entitled, “Mandy Barnett.” The album received glowing reviews in major trade publications and magazines, including “Time" magazine, as well as praise from veteran country artists and fans.
In due course, Seymour Stein, who introduced the world to Madonna, Seal, the Barenaked Ladies, and k.d. lang, heard Mandy’s voice and was, he said, “spellbound.” When Stein launched Sire Records within Warner Music Group, Mandy was the first artist he signed. Mandy’s Sire Records project paired her with the undisputed pioneer of the Nashville Sound, producer Owen Bradley. The album that they made together, “I’ve Got A Right To Cry,” would be his final contribution to the community who knew him through his work with legends Ernest Tubb, Brenda Lee, Loretta Lynn, Patsy Cline, and Kitty Wells. Owen passed away four songs into the project, but not before leaving his unmistakable mark on the album. His brother and longtime partner, Harold Bradley, inherited the delicate task of finishing the album with Mandy. A legal pad filled with Owen’s handwritten notes for each song guided the two through the rest of the sessions, and what was to be Owen’s farewell to the world was poised to propel Mandy and her remarkable vocal talent once again into the national limelight.
“I’ve Got A Right To Cry” was a huge critical success. “Rolling Stone” magazine named it the top country album of 1999. Other stellar reviews appeared in “People,” “Newsweek,” “Interview,” and multiple national newspapers. Mandy appeared on “The Late Show with David Letterman” and “The Tonight Show with Jay Leno” as a result of her acclaim.
In addition to her own albums, Mandy has been featured on movie soundtracks, including “A Walk On the Moon,” “Traveller,” “Space Cowboys,” “Election,” “Drop Dead Gorgeous,” and “Crazy.” Mandy also sang on the SpongeBob SquarePants album “The Best Day Ever,” sharing the spotlight with the likes of Brian Wilson, Tommy Ramone, Flaco Jimenez, and NRBQ.
Mandy tours regularly and is a frequent guest on the Grand Ole Opry. She reprised her role as “Patsy Cline” in the acclaimed production “Always . . . Patsy Cline” at the Ryman Auditorium in Nashville, Tennessee during 2009, in honor of the 15th anniversary of the celebrated venue’s extensive renovations and re-opening. Back by popular demand, Mandy again hit the Ryman stage in “Always . . . Patsy Cline” in June and July 2011.
Cracker Barrel Old Country Store and Rounder Records teamed up for the 2010 exclusive Cracker Barrel store release of Mandy’s Christmas album “Winter Wonderland,” which distinguished music historian and critic Robert K. Oermann called “an instant classic.” Among other publications praising “Winter Wonderland,” the “L.A. Times” lauded Mandy’s “pipes of steel,” “big” voice and “glorious echo” harkening back to the likes of all-time great female singers like Cline and timeless sounds. “All Music” proclaimed “Winter Wonderland” as “timeless,” as Mandy captures the nostalgic holiday mood “perfectly and wonderfully.” Rounder re-released “Winter Wonderland” widely for holiday season 2011.
Mandy’s latest album “Sweet Dreams,” released in 2011 on the Opry Music label, features Mandy’s renditions of songs previously recorded by Patsy Cline. Along with Cline hits like “Crazy,” “I Fall To Pieces,” “Faded Love,” and the album title track, Mandy offers stunning versions of Irving Berlin’s pop standard “Always” and the Mel Tillis-penned “Strange.” Reviewing “Sweet Dreams,” DigitalRodeo.com applauded Mandy’s talents as “one of the most beautiful ’classic country’ female voices of all time. She has total control of her voice and sings effortlessly. Barnett is a true master of her craft.” “Country Weekly” magazine affirmed this view, noting how Mandy embodies “the emotional torch-and-twang style of Patsy Cline with authority” with her captivating “effortless and emotional performances.”
Larry Wayne Gatlin (born May 2, 1948) is an American country music singer/songwriter. He is perhaps best known for teaming up with his brothers Steve and Rudy in the late 1970s, becoming one of country music's most successful acts of the 1970s and 1980s. Gatlin has had a total of 33 Top 40 singles (combining his solo recordings and those with his brothers). As their fame grew, the band became known as Larry Gatlin & the Gatlin Brothers. Their popularity lasted throughout much of the 1980s. Their biggest hits together include, "Broken Lady", "All the Gold in California", "Houston (Means I'm One Day Closer to You)", "She Used to Be Somebody's Baby", and "Talkin' to the Moon". Larry Gatlin is known for his rich tenor voice and for the string of pop-inflected hit songs he wrote and recorded throughout the 1970s and 80s. During this time, country music trended heavily towards polished pop music arrangements in a style that came to be known as Countrypolitan. Larry Gatlin and the Gatlin Brothers came to prominence and enjoyed their greatest success during this period with hit singles that showcased the brothers' powerful three-part harmonies and Larry's evocative falsetto voice.
Great musicians will always find a way to make good music, but for great musicians to make great music, they must form a bond – one that, more often than not, goes beyond the purely musical to the personal. For The Grascals, that bond has been forged at the intersection of personal friendships, shared professional resumes and an appreciation for the innovative mingling of bluegrass and country music that has been a hallmark of the Nashville scene for more than forty years. As their records prove, The Grascals’ rare musical empathy gives them an unerring ear for just the right touch to illuminate each offering’s deepest spirit - whether they’re digging into one of their original songs or reworking a bluegrass classic or a pop standard.
"There's nothing like playing music to bring a family together," says Sharon White, but that's not exactly right; over 30 years have shown that the music of The Whites - sisters, Sharon and Cheryl, and father Buck - has just as much power to bring audiences together in a feeling that resembles that of one giant, extended family.
The story of The Whites begins in Texas, when a young Buck White started his musical career not long after the end of World War II, working the dance halls and radio shows in a succession of bands. Honky-tonk music called for the piano and the bluegrass mandolin, and so he became proficient on both, absorbing the many varieties of Texas country and blues to fashion his own distinctive style - one that kept him in steady demand as a sideman throughout the 1950s. In 1961, tired of the rough-and-tumble life of a honky-tonk musician and wanting to raise his family in a more wholesome environment, White moved to Arkansas. Yet within a matter of months, he and wife Pat were once again making music, forming a band with another couple that eventually called themselves the Down Home Folks. As Sharon and Cheryl grew, they, too, were drawn to music ("Mama said I could carry a tune before I could talk," Sharon recalls.) at first forming the Down Home Kids with the children of other Down Home Folks members in the mid-1960s, then moving up to join their parents in a growing number of bluegrass festival appearances.
The first big turning point for the Whites came in 1971, when a successful trip to Bill Monroe's Bean Blossom festival convinced the family that the time was right to move to Nashville and pursue a more serious music career. Though Pat retired from the band in 1973, the move paid off as Buck White and the Down Home Folks began their recording career, featuring the striking family harmonies and top-notch instrumental work that has characterized their music ever since. The remainder of the decade saw them make a steady ascent in the world of bluegrass, recording five acclaimed albums for various labels and working a busy touring schedule, even as they gained a toehold in the country music field thanks to their powerful vocals and broad repertoire. The former, in particular, attracted the attention of Emmylou Harris, who brought them in to sing on her Blue Kentucky Girl album of 1979 and then took them on the road with her as an opening act.
The early part of the 1980s brought The Whites - by then renamed to reflect their family ties - to national prominence as their simple, traditionally-rooted yet dynamic sound put them on Billboard's country charts with a succession of Top 20 hits. Favorites like their first Top 10, "You Put The Blue In Me," as well as "Hangin' Around," "Give Me Back That Old Familiar Feeling," and "Pins And Needles," - the latter all produced by Sharon's husband, Ricky Skaggs (the two married in 1981) - introduced them to new audiences, culminating in the induction as members of the Grand Ole Opry in 1984.
Since then, The Whites have entertained and inspired literally millions of listeners at thousands of personal appearances with their unique sound. Time has also brought renewed attention to Buck White's mandolin playing; as bluegrass historian Neil V. Rosenberg recently said, "insiders have long known of his prowess," and with his appearance on Bluegrass Mandolin Extravaganza, released in 1999, a wider audience has been introduced to his masterful style and compositions.
Their first release for Skaggs Family Records, A Lifetime in the Making, (produced by one of their former sidemen, the legendary Jerry Douglas) proves once again The Whites are among the top ranks of artists able to combine a respect for - and mastery of - traditional country and bluegrass. "We're always falling between the cracks when it comes to styles, but that's just the way our music is. We have dobro, fiddle, and mandolin on this album, as well as some piano. It has the same kind of feel as those singles we made back in the early 1980s, but it's as bluegrass as anything The Whites ever did." Released in the fall of 2000, A Lifetime in the Making received substantial critical acclaim, winning an INDIE Award for 'Best Country Album' (2001), as well as a Golden Voice Award at CMA Music Festival's third annual awards show in Nashville.
In 2001, acoustic music blasted onto the mainstream with the smash hit movie and soundtrack, O Brother Where Art Thou? Buck and the girls were hand selected among bluegrass music's finest to participate in the soundtrack and appear in the film. The Whites were recognized at the International Bluegrass Music Association's (IBMA) Awards Show in 2001, where they won two awards including the well-respected 'Album of the Year' honor. In November of 2001, The Whites were recognized at the 35th Annual Country Music Association (CMA) Awards in the highly esteemed 'Album of the Year' category. Their involvement in the film and soundtrack brought further acclaim the following year, including the highest industry honor achievable - a GRAMMY Award - in the revered 'Album of the Year' category; as well as the 'Album of the Year' nod from the Academy of Country Music (ACM). Along with all the industry accolades, The Whites made numerous appearances in promotion of O Brother, including their involvement in the first 18-city 'Down from the Mountain' tour, a stop at David Letterman's "Late Show" with fellow O Brother artist, Dr. Ralph Stanley, and a featured spot on the follow up tours - the 40 plus city 'Down from the Mountain' summer tour in 2002 and the 'Great High Mountain' tour in the summer of 2004.
In 2007, after years of blending their voices from the living room to the stage, The Whites teamed up with Ricky Skaggs on Salt of the Earth, their first collaborative effort, which earned them a Grammy Award for Best Southern, Country, or Bluegrass Gospel Album and a Dove Award for Bluegrass Recorded Album of the Year. Buck, Sharon, Cheryl, and Ricky share lead vocals with Skaggs' award winning band Kentucky Thunder laying the foundation for their tight family harmony. Traditional hymns, a few familiar favorites, and brand new treasures flow throughout the album providing an intimate look into the heart of one of music's most beloved families.
In 2008, proud Texans Buck, Sharon, and Cheryl received the ultimate honor from their home state with their induction into the Texas Country Music Hall of Fame. For those who have heard The Whites before, that's good news indeed - and for those who haven't, it will be an exciting introduction to a rich, yet comfortable musical world. They may not use the name anymore, but Buck, Sharon, and Cheryl White are still creating music that's as good and as real as everything conjured up by the phrase "down home folks."
Lula Grace Johnson (born March 13, 1930), known professionally as Jan Howard, is an American country music singer and Grand Ole Opry star. She attained moderate success as a country female vocalist during the 1960s and early 1970s. Her ex-husband was singer-songwriter Harlan Howard. Howard's biggest hit and signature song is the 1966 country hit, "Evil on Your Mind," which peacked at No. 5 on the Billboard country charts. The song is included in the book, Heartaches By the Number: The 500 Greatest Country Music Singles. In the late 1960s and early 70s, she dueted with Bill Anderson on a number of top 10 hits, including the No. 1 hit, "For Loving You."
Bill Anderson has been using that philosophy for almost fifty years to capture the attention of millions of country music fans around the world, en route to becoming a member of the Country Music Hall of Fame and one of the most popular, most enduring entertainers of our time.
He’s known, in fact as “Whispering Bill,” a nickname hung on him years ago as a result of his breathy voice and his warm, soft approach to singing a country song. His credentials, however, shout his prominence: One of the most awarded songwriters in the history of country music, a million-selling recording artist many times over, television game show host, network soap opera star, spokesman for a nationwide restaurant chain, and a consummate onstage performer. His back-up group, The Po’ Folks Band, has long been considered one of the finest instrumental and vocal groups in the business.
Kim's sixth album, "Wreck Your Wheels" is a return to her more Americana roots. Heading back to Nashville to record with her touring band, this album was all about getting an organic, real sound: no auto-tune, no studio tricks - just five musicians in a room, playing together. "The core band on this record went out on the road with me for my last record, "Chinese Boxes", and they are friends," says Kim. "We had a great time making the record – we recorded all in the same room at the same time, which was very cozy. It's a small studio. We used the front seat of the producer's Honda pulled up next to the door as an isolation booth for the electric guitar amp."
Lyrically driven and beautifully produced, "Wreck Your Wheels" is a record that gets into your head and heart and stays there. So does it matter whether it's Americana, Alt-country or Pop? We say, forget the labels. Just listen to the music. Decide for yourself.
Gleason TN | Country
Mike Snider, (born May 5, 1961), is an American bluegrass banjo player and humorist. He learned to play banjo at the age of 16. Although he is well known for irreverent humor, he is a well respected banjo player. Much of his comedy is based on stories about his wife, Sabrina, referred to as Sweetie.
To be called a legend in the entertainment industry, one must first be a pioneer and then proceed to accomplish many more "firsts". JEAN SHEPARD has done that and much more. A sample listing of some of her "firsts" includes: *Starring in the 1st network country music show, THE OZARK JUBILEE. The 1st female in country music to sell a million records. The 1st country music female vocalist to overdub her voice on records. The 1st country music female to make a color TV commercial. The 1st female country singer to be a member of the GRAND OLE OPRY for 47 years.
Fort Worth TX | Country
One of the most respected vocalists to emerge during the urban cowboy era, John Conlee was known for his superb taste in material and his distinctively melancholy voice. Conlee was born and raised on a tobacco farm in Versailles, KY, in 1946, and took up the guitar as a child, performing on local radio at age ten. He went on to sing with the town barbershop chorus, but didn't initially pursue music as a career, instead becoming a licensed mortician. He also worked as a disc jockey at numerous area radio stations, and made important industry connections via that area when he moved to Nashville in 1971. Five years later, Conlee's demo tape got him a contract with ABC. He released a few singles, but didn't find acceptance until 1978's "Rose Colored Glasses," a song he'd co-written with a newsman at his radio station, rocketed into the country Top Five. Conlee spent the next decade or so scoring hit after hit, nearly all of them helmed by producer Bud Logan. He had two number ones in 1979 alone -- "Lady Lay Down" and "Backside of Thirty" -- and four number two hits through 1981, which included "Before My Time," "Friday Night Blues," "She Can't Say That Anymore," and "Miss Emily's Picture." Conlee returned to the top of the charts three times over 1983-1984 with "Common Man," "I'm Only in It for the Love," and "In My Eyes," and had his last number one in 1986 with "Got My Heart Set on You." All told, Conlee made the Top Ten 19 times through 1987, when he moved from MCA to Columbia and reached the Top Five with "Domestic Life." Never much for touring, Conlee subsequently curtailed his recording activities as well, instead devoting his time to charity work (often on behalf of American farmers), raising his family, and running his own farm outside Nashville.
Jim Ed Brown
If there is one word best suited to describe Jim Ed Brown, it is veratile. As a dynamic component in duets and a trio, as a solo recording artist, and as a popular television host, in the course of his professional lifetime, he has filled role after role with shining success. The last career of this balladeer from Arkansas can easily be likened to a well-cut gem, with its facets reflecting light on many different planes, yet collectively achieving the warm, enduring brilliance of an unforgettable star, a TRUE LEGEND...
Here's the deal!! I have a Bio that someone wrote up and did a great job at it. But lets face it...Bio's are boring. So here it is in a Nutshell....mispelled words and all.
I grew up in a small town in Smyrna, Delaware on a Vegetable/Grain Farm. I was a normal kid. Loved sports, chased the girls and got C's in High School. I also worked my tail off on the farm helping out the mom and pops!! That and getting in fights with older brother.
I left Smyrna to chase down my dream of playing baseball. Ended up going down to Florida Southern College to pretty much sit the bench. So thats when my passion for music took over! I picked up a guitar...mainly to impress the chicks..and started writing songs. I then started traveling back and forth to Nashville, Tn to learn how to get into the music business that i knew nothing about. What i knew and loved about country music is what i heard on the radio.
I met a guy named Monty Powell who took me under his wing as a songwriter and really showed me the ropes. This is when i decided to make the move to Nashville and dig in!!
I was broke so i got a job parking cars to make rent. I would write everyday and work every night. This eventually lead me to my first record deal 4 years after moving to Nashville with RCA records. Skipping alot of details.....I would go onto release my first single "Stealing Cinderella" which opened up a ton of doors for me. Toured with Brad Paisley for almost 2 years and released 2 more singles in that time called "All I Ever Wanted" and "Man of the House".
With this success on the music side it opened up an invitation to be on "Dancing with the stars". No!! I'm not a Dancer but i did last 7 or 8 weeks! so thanks if you voted. DWTS was a blast and it was cool to be a part of a #1 TV show! Just wish i was singing instead of dancing in tights.
Titusville PA | Country
Along with many accolades including awards from Billboard, Cashbox and Record World, country music legend Jeannie Seely has achieved No. 1 songs as a solo artist, as a duet partner and as a songwriter. Her deeply moving vocals earned her the nickname of "Miss Country Soul".
Jeannie’s recording of "Don’t Touch Me" not only topped the charts, but also earned her a Grammy Award for the "Best Country Vocal Performance by a Female". It is ranked at No. 97 in the book "Country Music’s 500 Greatest Singles" published by the Country Music Foundation, and also included in "The Stories Behind Country Music’s All-Time Greatest 100 Songs".
Born in Titusville, Pennsylvania, and raised on a farm outside of nearby Townville, Jeannie was singing on Meadville radio station WMGW at age 11, and by 16 was performing on TV station WICU in Erie. When she moved to Nashville upon the encouragement of friend Dottie West, Jeannie only had $50 and a Ford Falcon to her name, but within a month Porter Wagoner hired her as the female singer for his road and television series.