Lady Antebellum's platinum third disc "Own The Night" debuted at the No. one position on Billboard's Top 200 in Nov. and most recently earned the trophy for Best Country Album at the 54th Annual GRAMMY Awards. The disc has already spawned two No. one hits "We Owned The Night" and "Just A Kiss,"and its current single "Dancin'Away With My Heart" is currently climbing through the Top 10 on country radio charts. The new album also serves as inspiration for their current Own The Night 2012 World Tour, which continues to break venue attendance records across the country with upcoming dates also scheduled across Canada and Europe. The reigning ACM and CMA Vocal Group of the Year has sold over six million albums across the globe, spawned six No. one hits, scored seven GRAMMYs and over a dozen other award show trophies.
Bobby Osborne and the Rocky Top X- Press
Bobby Osborne is a bluegrass musician known for his mandolin playing and high lead vocals. Born December 7, 1931 in Leslie County, Kentucky, Bobby Osborne is known primarily for his collaborations with his brother Sonny Osborne in their band, the Osborne Brothers. He was a pioneer in conceiving the now-popular "high lead" vocal trio concept. He has released numerous recordings since the 1950s. Most notably, the Osborne Brothers recordings of "Rocky Top", and "Kentucky" inpired their being named official state songs of Tennessee and Kentucky, respectively.
Fort Worth TX | Country
One of the most respected vocalists to emerge during the urban cowboy era, John Conlee was known for his superb taste in material and his distinctively melancholy voice. Conlee was born and raised on a tobacco farm in Versailles, KY, in 1946, and took up the guitar as a child, performing on local radio at age ten. He went on to sing with the town barbershop chorus, but didn't initially pursue music as a career, instead becoming a licensed mortician. He also worked as a disc jockey at numerous area radio stations, and made important industry connections via that area when he moved to Nashville in 1971. Five years later, Conlee's demo tape got him a contract with ABC. He released a few singles, but didn't find acceptance until 1978's "Rose Colored Glasses," a song he'd co-written with a newsman at his radio station, rocketed into the country Top Five. Conlee spent the next decade or so scoring hit after hit, nearly all of them helmed by producer Bud Logan. He had two number ones in 1979 alone -- "Lady Lay Down" and "Backside of Thirty" -- and four number two hits through 1981, which included "Before My Time," "Friday Night Blues," "She Can't Say That Anymore," and "Miss Emily's Picture." Conlee returned to the top of the charts three times over 1983-1984 with "Common Man," "I'm Only in It for the Love," and "In My Eyes," and had his last number one in 1986 with "Got My Heart Set on You." All told, Conlee made the Top Ten 19 times through 1987, when he moved from MCA to Columbia and reached the Top Five with "Domestic Life." Never much for touring, Conlee subsequently curtailed his recording activities as well, instead devoting his time to charity work (often on behalf of American farmers), raising his family, and running his own farm outside Nashville.
Wildfire fighter, blueberry picker, Christmas tree topper and chainsaw maker were just a few of the job hats that Brandy Clark wore growing up in Morton, Washington (Pop. 900). Brandy first picked up the guitar at nine years old and made her singing debut in school musicals. Her passion for music brought her to Nashville, Tennessee’s Belmont University where she studied commercial music and was chosen to perform in the school’s prestigious “Best of the Best Showcase.” Brandy signed her first publishing deal not long after graduation and since then she has had songs recorded by RebaMcEntire, Miranda Lambert, LeAnn Rimes, David Nail, Billy Currington, Kenny Rogers, Rebecca Lynn Howard, Joanna Smith and Amanda Wilkinson
It is a Nashville legend that Connie's first record, the aching and unforgettable "Once a Day," written by Bill Anderson and recorded on July 16, 1964 when she was just 23, became one of the most celebrated singles in country music history—the first debut single by a female country singer to go to Number One, a position it held for eight weeks. Forty-seven years later it is still the only first single ever to have done that. When Connie sang "Once A Day" in the all-star B-movie musical Second Fiddle to a Steel Guitar the following year, she was introduced on-screen as "The Cinderella of Country Music." "Once A Day," and her stunning rendition of "How Great Thou Art" remain the two most requested songs by her fans to this day. Connie's memorable string of hits would include "You and Your Sweet Love" "If It Ain't Love" "Where Is My Castle?" "Run Away Little Tears" "Just One Time" and "I Never Once Stopped Loving You." The passion for singing and for the songs, and the singular vocal precision in delivering them that marked those standards-to-be are fully on display in this return to recording. "If you add up all the songs on this album," Ms. Smith says, "it would add up to my personality. It's me talking again, after so many years, with a message no different than I've always had. It's just that I love you, and I want that love to come back." It's bound to.
Marty Stuart is a five time GRAMMY-winner, platinum recording artist, Grand Ole Opry star, country music archivist, Southern culture historian, photographer, musician, songwriter, TV show host, charismatic force of nature, and country music fan.
Since starting out singing gospel as a child, Stuart, 54, has spent over four decades celebrating American roots music with a missionary's zeal. His teenage years on tour with bluegrass legend Lester Flatt in the '70s were followed by six years in Johnny Cash's band during the '80s and a chart-topping tenure as a solo artist in the '90s.
The turn of the century saw Stuart looking inward to make deeply felt records paying homage to his love of vintage gospel, his Native American passions, and as always, his core -- foot-stompin', tail-shakin', honky tonkin', rockin' hillbilly music. His latest musical oeuvre is ably supported by the coolest cats in Nashville - his backing band, The Fabulous Superlatives: guitarist Kenny Vaughan, drummer Harry Stinson, and bassist Paul Martin.
Stuart's zest for every conceivable flavor of country music is also seen regularly by TV viewers these days, on RFD-TV's "The Marty Stuart Show", a musical variety show and the number one program on the network.
So, what's next? As musicologist Peter North cites, "Marty Stuart seems wrapped in his destiny at this point in time. Not only as country music's most notable ambassador/caretaker, but as its main archetypical crusader. He has without question evolved into one of the most important roots musicians and visionaries in America."
LaFollette TN | Christian & Gospel
Darryl Wade Worley was born October 31, 1964 in Memphis, Tennessee to Tommy and Bonnie Worley. His family moved to Pyburn, Tennessee when he was young and he was raised there. His father was a Methodist preacher and his mother sang in the church choir. Worley attended the University of North Alabama and earned a degree in biology and chemistry. He worked in the chemical industry prior to pursuing country music, and wrote for FAME Studios in Muscle Shoals, Alabama. One of his first cuts as a songwriter was a track on Archer/Park's 1994 debut album.
Riders In The Sky
Riders In The Sky are truly exceptional.
By definition, empirical data, and critical acclaim, they stand "hats & shoulders" above the rest of the purveyors of C & W - "Comedy & Western!"
For more than thirty years Riders In The Sky have been keepers of the flame passed on by the Sons of the Pioneers, Gene Autry and Roy Rogers, reviving and revitalizing the genre. And while remaining true to the integrity of Western music, they have themselves become modern-day icons by branding the genre with their own legendary wacky humor and way-out Western wit, and all along encouraging buckaroos and buckarettes to live life "The Cowboy Way!"
Riders In The Sky are exceptional not just in the sense that their music is of superlative standards (they are the ONLY exclusively Western artist to have won a Grammy, and Riders have won two), but by the fact that their accomplishments are an exception to the rule as well. That Riders In The Sky was even formed is a feat of improbable likelihood. What are the odds that a theoretical plasma physicist, a wildlife manager - galvanizer - Life Scout, an English major - shot putter - Bluegrass Boy, and a Polka Hall of Fame member would collectively become "America's Favorite Cowboys?" And even more unlikely is that 30-plus years later, the original members are still "bringing good beef to hungry people" while putting up Ripken-like numbers! The Rolling Stones only made it a few years before replacing Brian Jones; the Sons of the Pioneers constantly changed personnel; even the Ringo-era Beatles only lasted 8 years. (Perhaps Too Slim, as a sophomore writer for the University of Michigan Daily, had an ulterior motive in 1969 by propagating the rumor that Paul McCartney was dead! It's true... go ahead and Google "Paul is dead rumor"...) But the key to keeping the same founding members intact for three decades on the road is more easily explained: "Separate hotel rooms," cracks Ranger Doug!
Riders In The Sky's first official public performance was Nov. 11, 1977, at the erstwhile Nashville nightspot "Phranks & Steins." Taking the stage that night for a crowd of eight or nine (counting Herr Harry behind the bar) were Ranger Doug (Idol of American Youth) on arch-top guitar and baritone vocals, and Too Slim (A Man Aging Like Fine Cheese) on bunkhouse bass, face, and tenor vocals. A chain saw may have been in the mix somewhere that night, but was soon retired. Replacing the chain saw was Woody Paul (King of the Cowboy Fiddlers) on fiddle, tenor vocals and rope tricks, and the launch was successful! They subsequently added the "Stomach Steinway" stylings of Joey the Cowpolka King on accordion and baritone vocals, much to the delight of 'Polkaholics' everywhere.
As a classic cowboy quartet, the trail has led them to heights they could have never predicted. Riders have chalked up over 6100 concert appearances in all 50 states and 10 countries, appearing in venues everywhere from the Nashville National Guard Armory to Carnegie Hall, and from county fairs to the Hollywood Bowl. Their cowboy charisma and comedic flair made them naturals for TV, and landed them their own weekly show on TNN, as well as a Saturday morning series on CBS. They have been guests on countless TV specials, documentaries and variety shows, appearing with everyone from Barney to Penn & Teller. And their animated likenesses have shared the screen with Daffy Duck on the Cartoon Network, and the Disney Channel's Stanley. If you consider their compositional credits, one might call them "Writers In The Sky!" In addition to penning award winning songs for their own albums, they wrote the score for Pixar Animation's 2002 Academy Award-winning short "For the Birds." They composed the theme song for the internet cartoon show "Thomas Timberwolf" by renowned Bugs Bunny creator Chuck Jones. But the animated character that history will most certainly link to Riders In The Sky is the loveable cowboy Woody, as Riders performed "Woody's Round Up" in "Toy Story 2," with the album of the same name garnering Riders their first Grammy Award in 2001 for "Best Musical Album for Children." Two years later, Riders roped their second Grammy in the same category, for "Monsters Inc. - Scream Factory Favorites," the companion CD to Pixar's award winning movie.
Equally as exceptional, but of greater significance, is that in 1982, Riders In The Sky became the first, and to date only, exclusively Western music artist to join the Grand Ol' Opry, the longest running radio show in history, and thus began a love affair with radio as well. In 1988, they recorded comedy skits for the album "Riders Radio Theatre" and launched the long-running international weekly radio show of the same name on public radio. And keeping pace with the ever-changing technological landscape, in 2006 "Ranger Doug's Classic Cowboy Corral" debuted on XM Satellite Radio, still heard weekly on SiriusXM Channel 56.
Exceptional artists also appeal to a diverse and broad-based cross section of their adoring public. Riders In The Sky's music and comedy delights cowboys and cowgirls of all ages, and from all walks of life. Riders are equally at ease amusing a theatre full of children as they are enthralling a symphony audience accompanied by 50 or 60 classically trained instrumentalists, or even an NCO club full of servicemen during a USO Tour. Riders have performed at the White House for both Democratic and Republican administrations, and at Major League Baseball's winter meetings for both American and National Leagues (although with an admitted bias for the Detroit Tigers). With their ability to persuade cowpokes on both sides of the fence to set aside their differences for a brief escape from day-to-day tribulations, is it any wonder that Riders have a virtual home called "Harmony Ranch?"
Ultimately, exceptional careers do not go unnoticed, and throughout theirs, Riders In The Sky have been honored regularly. In addition to being inducted into the Grand Ol' Opry, Riders are in the Western Music Association's Hall of Fame, the Country Music Foundation's Walkway of Stars, and the Walk of Western Stars (in Newhall, CA near Melody Ranch Studios) along with Gene, Roy, John Wayne and other cowboy legends. No less important than their two Grammies, Riders have been the Western Music Associaton's "Entertainers Of the Year" seven times, and won "Traditional Group of the Year" and "Traditional Album of the Year" multiple times. The Academy of Western Artists has named them "Western Music Group of the Year" twice in 5 years, and the National Cowboy & Western Heritage Museum has bestowed Riders with their Wrangler Award statuette three times. It comes as no surprise then that Billboard magazine's Jim Bessman counts them as one of "the most historically significant acts in the history of American music."
Yes, it would be "The Easy Way" to call it a career after 30-plus years, but it wouldn't be..."The Cowboy Way!" And so, the never-ending trail drive continues. The ponies are rested and watered, and America's Favorite Cowboys are ready to saddle up and ride, bringing good beef to hungry people wherever they may be. Yes, Riders In The Sky are truly an exception to the rule.
Gleason TN | Country
Mike Snider, (born May 5, 1961), is an American bluegrass banjo player and humorist. He learned to play banjo at the age of 16. Although he is well known for irreverent humor, he is a well respected banjo player. Much of his comedy is based on stories about his wife, Sabrina, referred to as Sweetie.
Love and Theft
Love and Theft is a bit different from the group that scored a Top 10 hit two years ago with "Runaway." But the changes that have affected the group-most notably, signing with RCA Records and downsizing to a duo-have actually brought Love and Theft closer to what it originally set out to be: a band that writes, records and performs honest, soulful country music.
While Stephen Barker Liles and Eric Gunderson are proud of their successful first effort, they are excited to have teamed with producer Josh Leo (Alabama, Nitty Gritty Dirt Band) on their RCA effort. "We love performing" says Stephen. "The way we are recording now is the way our influences made records: live with a band. It's a lot more organic."."
Eric's earthy voice is the perfect complement to Stephen's high-altitude tenor. The guys happily share lead vocals, harmonize like a church choir, and bolster their band with their own guitar work. "Stephen and I have always been on the same page as far as the vision for Love and Theft and what we want it to be," says Eric. "We feel like we have made the record we've always wanted to make."
Titusville PA | Country
Along with many accolades including awards from Billboard, Cashbox and Record World, country music legend Jeannie Seely has achieved No. 1 songs as a solo artist, as a duet partner and as a songwriter. Her deeply moving vocals earned her the nickname of "Miss Country Soul".
Jeannie’s recording of "Don’t Touch Me" not only topped the charts, but also earned her a Grammy Award for the "Best Country Vocal Performance by a Female". It is ranked at No. 97 in the book "Country Music’s 500 Greatest Singles" published by the Country Music Foundation, and also included in "The Stories Behind Country Music’s All-Time Greatest 100 Songs".
Born in Titusville, Pennsylvania, and raised on a farm outside of nearby Townville, Jeannie was singing on Meadville radio station WMGW at age 11, and by 16 was performing on TV station WICU in Erie. When she moved to Nashville upon the encouragement of friend Dottie West, Jeannie only had $50 and a Ford Falcon to her name, but within a month Porter Wagoner hired her as the female singer for his road and television series.